Balancing Multiple Projects

As writers it is nearly impossible not to have a constant flood of new ideas. But we how do we balance all the new ideas while still working and completing what we’ve got? Some of us might find that working on multiple projects helpful, but we also want to find a balance. 

Tips to balancing different projects:

1) Use Different Notebooks

We all love a good notebook. It’s almost like a writer’s rite of passage to have hundreds of unused notebooks in some desk drawer just waiting to be used. Put some of these notebooks to good use by dedicating them to your projects. Instead of scattering your ideas for all your stories across several different notebooks, just use one notebook per project. I have found it makes a world of different when I can just go to one notebook for everything having to do with Project A instead of rifling through five different notebooks trying to find the note I wrote.  

2) Plot, Plot, Plot

Organization is key to balancing several different writing projects. Writing one book is difficult enough and requires you to be organized, but when you’re juggling two books or more books, organization is essential. Plotting and outlining is a great way to make sense of your different storylines so that they flow cohesively. The last thing you want is your different plots overlapping in your head, which is why creating clear and concise outlines for each will help to keep you on track for each project. 

3) Compartmentalize One Project Per Day

Divide your time evenly amongst your different projects. And when you go to work on a project, work on just that project. For example, if you’ve decided that you have an hour on a Tuesday evening and you want to work on Book A, then just work on Book A. For that hour, pretend that nothing else in the world matters but working on Book A. If you like to spend your Saturday mornings working on multiple outlines, then make sure whatever length of time you take for yourself you evenly distribute for all your outlining projects. I find that if I’m outlining two things at once, I like to set a timer for each. So, if I’ve given myself half an hour each, I’ll set a timer so I stay on track. This also helps to create a sense of urgency to focus my allotted time to the project at hand, rather than wasting time letting my mind wander. Going off this point, dedicate your day to whichever project fits your mood. For example, if you wake up feeling like you’ve got a million different plot points you want to connect, then maybe take that day to focus on the project that is still in its plotting phase. Or, if you wake up thinking of some really good dialogue, then maybe focus on the writing aspect and choose one of your projects that is already in the drafting stage. 

5) Get in Your “Zone”

Before starting work on any project, it’s a good idea to get your head in the game. As writers we all have our different Go to your favorite writing space, play a specific playlist, light a scented candle – do whatever makes you get into that writer frame of mind. This ritual is also helpful when trying to transition between projects that you’re working on. I personally like to use different playlists for each of my projects. The music helps me shift from one story to the next through different themed playlists. But you can do whatever it is that makes you get in your writing zone. 

6) The 10-minute trick

This is great for those writer’s block moments. At some point we will all experience writer’s block on all of our writing projects. But if you don’t want to abandon yet another manuscript then this is a great idea, especially if you’re experiencing writer’s block on the dedicated writing day of one of projects. Rather than letting it roll over to next week or whenever you’ve scheduled yourself to work on it again, try this instead. Sit down at your chosen writing space and set your timer for 10 minutes. And during that time just start working. By the time your alarm goes off, you’ll be so entrenched in the flow you won’t want to stop. 

7) Be Patient and Don’t Give Up

Perhaps the biggest lesson to take away from trying to balance several different writing projects at once is that you need to have patience with yourself. Each project will end up going at its own pace. You might find yourself wanting to constantly write Project A while neglecting Project B or having severe writer’s block on Project C – and that is okay. No one is expecting you to finish all three at once and within an entire year’s timeframe. That is your own internalized pressure. Be patient and just keep going. Everything that you’re writing will eventually get written, you just need to keep working on them. Some of your projects will end up going fast than you expected, others will give you a little bit more resistance. Just keep moving forward and you’ll eventually get there. 

Tips to Stay Motivated

Coming into November there are probably a fair few of us who are giving NaNoWriMo a shot. Whether it’s your first time participating or you’re a seasoned vet, there will always be the problem of motivation that arises at some point throughout the month. It’s a natural part of the writing process to reach a certain point where the words don’t flow as easily and you’re finding yourself grasping at straws. When this happens during NaNoWriMo, it’s easy to throw in the towel and give up. But if you want to try to push through and stay motivated here are some tips to pushing yourself to write when you’re not feeling it – they can even be used outside of the sacred writing month of November as well!

Tip 1: Establish a Routine

Getting into a habit and sticking to it is the best way to combat any feelings of burnout. Whether it’s your home office, an outdoor café, your living room sofa, pick a place you’re most comfortable in and make it a habit. You can allot yourself as little as 20 minutes a day, but make sure you squeeze it in. You’ll find that the simple act of making a routine helps you write something, even if it’s not your best work. The key is just getting it out on paper. The editing comes later. Personally, I’ve also found that trying to fit in your writing in the morning works best because as the day wears on you will end up finding more excuses and distractions to draw you away from your writing. I know that’s not what the night owls want to hear but try giving morning writing a chance. It might surprise you.

Tip 2: Get Rid of Distractions

When I write during the week, I usually have a timer that I set for 20-40 minutes – depending on how early I managed to wake up. However, I always place it on the opposite side of the room, face down and notifications off, so I don’t get distracted. If it’s next to me on the table I’ll fall down the rabbit hole of scrolling through social media. If you know that you can’t write without looking at your phone, leave your phone in another room or on the opposite side of the room. If you get distracted checking work emails on your laptop then forgo the laptop and write using pen and paper. If you get distracted doing research for your story then perhaps try plotting ahead of your writing session that way the research is already done and you can just write. This time, however long or short, should be solely focused on producing words. Everything else can wait. And if you know what your weaknesses are in terms of distractions, try eliminating them ahead of time so you can have a productive writing session. 

Tip 3: Daily Goals

Giving yourself a daily word goal helps to keep you on track. Even if it’s something small like 500 words, it’s still something that can serve as a motivator to keep going. If you’re someone who doesn’t necessarily like thinking word count, then maybe make your goal something like finishing a certain scene you’ve been working on or writing another character’s perspective. So long as you have something that you are striving for on a daily basis you can battle against the distractions and writer’s block.

Hope these tips were helpful and good luck this November!

How to Write Side Characters

When written correctly, side characters can actually be some pretty interesting people. Plus, they add a lot to the story. Yes, we all have to put effort into making our protagonists and antagonists multi-dimensional characters, but that doesn’t mean we’re allowed to forget about our side characters. While they might be minor characters in the grand scheme of things, they’re still vital to the telling of the story as they serve many functions such as revealing key details, motivating the protagonist or foiling the protagonist, and sometimes helping to outline certain plots in the story. These secondary characters can either interact with the protagonist through dialogue or through a memory that the main character has of them. 

Whichever way you choose to have your main character interact with your side character(s), it’s important to remember the main function of the side character: to help progress the story forward somehow. 

With that in mind, here are some tips to making sure your side characters are not one-sided.

Don’t get stuck on the little details:

Yes, writing a rich backstory is important to understanding your side character. But not everything has to be in your story. Just include the parts of the character’s backstory that are relevant to the plot and that move it forward. Don’t get stuck on the little details that don’t matter. It’ll only end up confusing your reader. A good tip to bear in mind is to ask yourself “does this add to the main story or distract from it?”

Don’t make them solely good or solely bad:

The best way to add dimension to your characters is to avoid making them one-sided. If they’re completely good or evil they’ll read completely flat. What I like to do for all my characters, including the side characters, is to give them three good virtues and three negative ones and work from there. The way I see it, if you mix black and white you get grey – and grey is where things get interesting. 

Don’t create too many characters:

Creating characters is fun. That is why it’s so easy to get swept up in the desire to write more and more characters, leading to your story to become very convoluted. If you ever read War and Peace, you know just how long that list of characters is. And if you read Tolstoy’s masterpiece, you probably had to refresh your memory a couple times while reading as you tried to keep up with all the characters. While Tolstoy somehow made it work in 587,287 words, most of us are probably working with a much smaller word count goal. Therefore we shouldn’t make it too confusing for our readers to keep up with our cast of characters. 

The side characters are there to develop the main character(s):

No matter if you have one side character or five, they all share the same exact purpose: to develop the main character. Side characters can be used to expose key plot points without you necessarily going into exposition mode and “telling” what is happening, but rather “showing” it through the characters. A side character should never be just background noise, each side character should be an active participant in the story and either support your main character or provide an obstacle for them (without necessarily being the antagonist). 

Use them to help bring the world to life:

This is particularly helpful if you’re writing fantasy or sci-fi. Secondary characters can be tools used to help bring the world you built to life. Physical descriptions, personal experiences, these are all ways that the side characters can help to better illustrate the world you’ve created. 

Try to keep them in one space:

In order to make it easier for your readers to keep up with your secondary characters, it’s a good idea to tie them to one location whenever possible. That means that your side character exists in one spot, like the bar, school, the library, etc. and they never venture beyond this point. But remember, even if they only exist as the woman in the coffee shop, they still need to serve a purpose to moving the story forward. It’s easier for your reader to learn character names etc. when they are in one location. But if you do move a secondary character around, do it with purpose. 

Give them a reason for being in a scene:

Speaking of purpose, you should make sure that your secondary character has a purpose for being in a scene. Like I said in the previous point, your side characters should really be kept to one location if it can be helped. But if you do end up moving them around, make sure that there is a reason for them to be in a different scene with your main character. If there is no good reason for your side character to be in the scene then it’ll just read as awkward and confusing.