5 Tips for NaNoWriMo Preptober

If you reach out to the NaNoWriMo community, you will receive plenty of support to get you through the writing craze. Let the creativity flow and have fun!

1. Schedule

To make sure you meet the 50,000 word count requirement at the end of the thirty days, there are different approaches. You may plan to write 1,667 words daily, but the most important thing to remember is that life happens. Try to plan your schedule as neatly and accurately as possible while designating some additional time for the unexpected.

2. Outline

Having an outline (no matter how rough) will help prevent the need for brainstorming timeline events and alleviates rewrites. For our pantsers, a handful of sentences ordered chronologically is a great start.

3. Organize

If you have scribbled notes or multiple documents everywhere, condense and organize them. This way looking up information you need to refer back to (character/location descriptions, etc.) is quick and easy. This refers to your workspace as well. Clear the area of anything you will not need during the process.

4. Tasks

To avoid overworking or guilting yourself about other projects, aim to complete any immediate unrelated tasks that will interfere with NaNoWriMo.

5. Mindset

You can prepare your schedule and workspace, but your mindset will be the most important tool to achieve your goal. Remember to turn off your inner editor. It’s easy to edit a full page versus a blank one. Most importantly, remember to breathe. There will be plenty of time after to edit and mold the story into perfection. NaNoWriMo is solely to meet the 50,000 word count mark within thirty days.

Tips for Outlining

When it comes to writing a manuscript, there is one practice that is essential: outlining. The process of outlining helps us to stay focused and on track with our WIP. If we outline our story, it can also help keep us going whenever we experience the inevitable writer’s block in the middle of our work. 

Outlining All at Once versus Outlining as You Go

There are pros and cons to both outlining all at once or outlining as you go. When it’s all at once, you have a very clear idea of how the entire story will pan out. Granted, this doesn’t leave your plot a whole lot of flexibility. When you outline as you go, you gain a bit more plot flexibility. But planning out the next chapter or scene as you write it means that you might end up with more plot holes appearing in your work that you will then have to fix later on. 

Separate Docs

When it comes to outlining, some of us might be tempted to make our outlines in the same document as our WIP. But it can sometimes be helpful to have an entirely different document for your outline, particularly if it’s going to be very detailed. This helps to keep your actual work from getting jumbled up. 

Apps and Programs

There are various different apps and other programs that you can use to organize your work into an outline. Of course, you should do your research on the different apps and programs available, so you can pick the right one with the features that you work for you.

Questions to Ask When Pairing Characters

Let’s be honest, even when the main plot of a story isn’t romance, it still will often be included as a subplot to the story. Similar to the questions you’d ask when world building or developing individual characters, asking certain things of your character pairings is a good way to further develop your couples and make them realistic and believable to the reader. These are the types of questions that can be helpful to figure out how good a match your characters are. Of course, not all these questions need to be answered in the story itself, but it’s good information to have in order to better understand your characters. 


Questions to ask about your character pairings:

What do they like about each other?
What do they not like about each other?

How did they meet?

How long have they known one another?

How open are they about their love?

Is their attraction superficial or very deep?

What do they share in common?

Who initiated the relationship?

How do other characters view their relationship?

How much does their relationship affect he story?

Are they casual or serious in their relationship? 

Are they happy in their relationship?

How much time do they spend together? 

Character First Impressions

Apart from our villains, we want our characters to be well-liked by our readers. Every writer wants to believe that at least one of their characters will become a fan favorite. And there are ways of achieving this, but not all the different pointers have to be used all at once. Some of them can just be food for thought.


Show Don’t Tell

A staple of writing, it’s all about the action. Rather than saying, “she is so cool,” show us why this character is so cool. The first impression of a character lasts a lot longer when it is shown through action rather than told through words. 


Establish Empathy or Sympathy

Giving your reader a reason to relate to a character is the fastest way to make a good first impression. People are drawn to characters that reflect themselves, therefore by writing characters that illicit empathy or sympathy from a reader is the best way to create a bond between your reader and your characters. 


Impress the Reader

People are easily impressed by those who are smart, strong, funny, or creative. So if your character has such traits lie creativity, wit, charisma, or proficiency in a certain area of skills, then don’t be afraid to show them off. 


Save the Cat

Save the cat is a writing device used in screenwriting, which is meant to make a character instantly likeable if the first thing they’re shown doing is something good, such as saving a cat. Even if you’re not a screenwriter, you can still employ this in your WIP. 


Establish Mystery or Intrigue

Don’t give us everything right away. Make the reader want to know more by hinting at an interesting backstory or secret that the character might have. Not only will they want to get to know the character more, but they will also stay interested in the story as well. 

Writing Likable Characters

We all want our readers to be invested in our stories. When a reader invests in your story, they are investing in a continued journey with you as a writer. Besides having someone thoroughly enjoy the work that you put so much effort into, having an invested reader can lead to great opportunities such as representation and publication if you’re seeking a more traditional means of publishing, or a loyal fan-base and more clout on social media if you’ve chosen to go with self-publication. Either way, only good things can come for you and your book if you have invested readers. 

But what is the key to success to capturing the hearts of readers? One of the easiest ways to get a reader completely on board with your book is to create likable and relatable characters. Think of all the books that you personally like – how many of them can you honestly say you like them for reasons other than the characters? Sure, the Harry Potter series is cool and JK Rowling outdid herself when she created the wizarding world, but if you stripped all the magic away, you’d be left with only the characters. And that was truly the heart of the books. It was Harry, Hermoine, and Ron that stole our hearts and made us want to keep reading. You can try to counter argue, but deep down you know it’s true. Take any story of any genre and strip away the fantastical settings, the plot twists, the romances, etc. and you’ll see that it’s the characters that are always at the heart of all our beloved books. 

But what is it about certain main characters that resonate with us and make us feel invested in their stories? All these beloved main characters and side characters that we love to discuss at length with friends, cosplay at events, or make fanart for; the one thing that they all have in common is their likability and relatability. So how do you go about creating characters that people like and want to follow?

Here are some tips:

Vulnerability– giving your character a vulnerability is one of the easiest ways to get your character to resonate with readers. This vulnerability can either be a physical one like a handicap or an emotional one. Either way, seeing a character struggle with their own weaknesses, hopes, limitations, or fears is always a way to get readers to see themselves in a character. 

Backstory– kind of lining up a bit with the vulnerability point is backstory. Introducing a why for the character’s actions or thoughts is always a way to make them seem relatable. And looking to their backstory is a good place to start. This is particularly helpful if you want to write an antagonist that is well-rounded and not just a straight up A-hole. Sometimes some of the best villains have some of the saddest or complicated backstories. Take the most recent Joker film. This is a perfect example of a well-rounded villain. Don’t get me wrong, he’s a bad guy, but getting to see his origins definitely helps us better understand his motivations. And in doing so we end up feeling bad for him – something that ends up making him more relatable in our eyes.  

Failure– letting your main character fail isn’t necessarily a bad thing. It can definitely help the relatability of a character. We’ve all faced failure within our own lives. We all love an underdog story with the odds stacked against them. Let your character fail and make a courageous comeback. Their resilience will speak volumes with readers because we’ve all been there. 

Morals– most for the heroes of our stories making them be nice helps a bit. We want to think of characters as being generally nice. Characters that show kindness, generosity, or selflessness are generally seen as “good” and you want your characters to be good. No one likes a character that will kick a puppy and laugh. Of course, steer clear of making them a goodie-two-shoes. Some character flaws do make them more “human.” Also, don’t be afraid of giving your villains some morals too. Just because you have a supervillain who wants to destroy the world doesn’t mean that they can’t have a moment of selflessness. How many times do we end up liking villains after they end up redeeming themselves by showing a selfless side to them? Think Shadow Weaver’s sacrifice of herself to save Adora and Catra in Netflix’s She-ra. Personally, I shed a tear at that.

Humor– whether they’re self-deprecating, snarky, or just plain silly, giving your characters some sort of sense of humor makes them relatable to readers. We all love to laugh. It’s the next universal language besides love. So, it only stands to reason that readers would gravitate towards characters that have a funny side to them. And so long as their humor is true to the character’s personality, it will resonate with audiences.

Self-Awareness– let’s face it, flawed characters are the best characters. But the key to a good flawed character is that they’ve got enough self-awareness to be able to say sorry once in a while for their shortcomings. Giving your characters, particularly your heroes and heroines, a moment of “yeah I know I’m an A-hole sometimes but I’m trying” can definitely help readers cut them some slack for some of their more morally questionable actions. 

Fear and Pain– having a character be motivated by their fear or their pain can definitely make them relatable to readers. How many of us in our everyday lives are motivated to action by pain and fear? That 20-page college paper we’ve all written the night before it’s due was definitely written on pure motivation from fear of failure and a painful lack of sleep. Having characters move through plot points based off their fear and pain will definitely make them relatable. After all, nothing is more human in this life than feeling pain and fear, which is why our characters must feel these things too.