Finding a Home for Your Story: Advice on Publication

Way back when I was about 22-years-old, I took a poetry class that changed my writing forever. I’m by no means a poet. I barely managed to write any decent poetry during the class. And since leaving the class, I’ve hardly ever written a poem – except for the occasional one that is born out of a purely emotional moment. But my lack of poetry skills isn’t what I took away from that class. It was actually quite the opposite. I walked away from that course as a newly-infused writer full of confidence and a sense of hope. As writers, we should always be filled with a sense of hope as we tell our stories. And we should always be hopeful that our work will find its intended audience.

That is probably the biggest take away that I received from my professor. She often spoke about “finding a home for your writing.” At first, we all thought she was talking about publication and finding the right magazine or journal to accept your work. That’s not remotely what she meant.

She told us a story about a series of poems she had written, which subsequently got rejected from every place she submitted to. Discouraged, she put them away in a file cabinet and forgot about them. Then, one day years later, she was going through the file cabinet and found them again. She was experiencing some personal difficulties at the time and her own words ended up being exactly what she needed to hear in that moment.

“Sometimes, you won’t always reach the broad audience base every writer dreams of,” she said bluntly. “Sometimes you’ll find that what you created will only reach a few people or even just one: yourself.”

The silence after she said those words covered the room in an impenetrable cloud of thought. I scanned the pensive faces of my fellow students as they digested what she’d just said.

Sensing many crushed dreams in that moment, my professor smiled as she added, “But you also have to keep in mind that your work serves a higher purpose. Everything you pour onto the page is intended for someone to read – to provide someone with whatever comfort they need in that moment. It will always find its intended audience so don’t be discouraged by your words. Use them. They will always be hope for someone who needs to read them.”

To this day, I still get chills when I think back to that moment in class. Every writer has a moment when they defined themselves as a writer – and that was mine, at the back of the classroom, quietly absorbing this poet’s wise words. Yes, we all want to be discovered as the next J.K. Rowling and have our stories printed for the masses, but those grandiose dreams are really us getting ahead of ourselves.

The journey to finding a home for our story doesn’t begin at the end of the road with a publishing contract and an advance; it begins with ourselves. We are our story’s first home. We are the ones who need to take comfort in our own words – after all, they live within us. Finding the hope within our writing will have a ripple effect. So far, I’ve had a couple short stories published and each one was the most honest version of the story in my mind that I managed to tell on paper.

Some Advice: Reputation is Everything

Normally, writing blogs are just about that; most are tips and tricks on how to write better such as eliminating filler, catching redundancies, use Active Voice, etc. Others are more about the business side of writing such as marketing, self-promotion, mailing lists, etc.

In this post, I want to discuss something very near and dear to my heart, but something I see time and time again new authors throw away and that is their professionalism which affects their reputation. For people who know me as Christianmichael Dutton who writes under the pen name Hui Lang (Chinese for Gray Wolf), they know I am one and the same. I take my brand, my persona, and my interactions with everyone seriously. Everything I write here, either a blog post for Dragon Soul Press, a short story for my Red Hoods Page, or a fanfic doodle on my personal FB page, I give 110%. I am a known plotter and I typically plot out a story five or more times before deciding on how I will write the story. Then I get feedback on my work if time permits after I’ve gone through several cycles of self-editing.

Let’s start with a foundational rule:

If you’re an author who wants compensation for their work, you need to treat this as a serious business.

Let’s talk about some things that shows a lack of professionalism and how you can mitigate irreparable harm to your reputation. These things are doubly important when you’re an indie author because you have full control over your writings and publishing.  

You publish a work that isn’t edited or poorly edited. You know why it’s so hard to find a lit agent or a publisher willing to accept your story? This. This is the reason why the big trad houses have an intern whose job it is to simply read the first three pages of every work just to weed out people who cannot follow directions or send in poorly edited works. I frequently download samples of many indie authors’ books. I can’t get past the first chapter on so many of them because it comes across as if English was their second language with the help of Google Translate.

You chose a terrible cover. “Don’t judge a book by its cover,” applies to people, but not to books. If you work with a trad pub house and they slap a cover that looks like stock art drawn by an eight-year-old or you grab a cute image from Pixabay because it’s royalty free, nothing screams out, “AMATUER!” than an amateurish cover. When I see that, I think your writing matches and I don’t even bother to download the sample. If you cannot afford a great graphics artist, then go with a trad publisher who puts out great covers on their books. Check out Dragon Soul Press’ covers and see for yourself the high quality they use. Some are amazingly gorgeous (Shadows of the Fallen, I’m looking at you).

Your writing is lazy. You use Passive Voice. You used tropes and clichés that the big trad pubishers don’t want, so now your book isn’t marketable unless you self-publish. You use a ton of adverbs. You switch POVs more times than spinning on the Mad Tea Party ride at Disneyland. The rule of “Your first million words is crap,” isn’t just some made-up mantra by self-righteous authors of a bygone era. I wrote my first book when I was fourteen. It was crap. My second book was also crap. By the time I had written my third book, I already had written well-over a million words from all the campaign and adventure writing for the table-top role-playing games Dungeons and Dragons and Pathfinder. My third book still sucked. When I finished my fifth book, Fallen From the Stars, it finally looked like something I might be able to market, but it took me over a 1.5 million words to get there. If you want to fast track your learning experience, then get feedback. Serious feedback that doesn’t hold back on where you’re weak.

You don’t leverage social media effectively. As an author, you post cute cat memes, send … ahh … naughty pics to other people, launch a vitriolic diatribe against Flat-Earthers, but support anti-vaxxers, and so on. You swear like a sailor on your media pages, but you write cute furry YA stories. It’s perfectly fine to post whatever you want to post. No one should judge you for that unless you’re harassing people or being an all-around jerk, but keep it separate. Your author page should have your million loyal fans who see you as the awesome writer, and only your close friends and family get to see your cursing sailor, hedonistic anti-vaxxer jaded personality on your personal page.

This advice may come across a bit harsh, but again, review the foundational rule. Treat being an author as a serious business, forge great relationships with other authors and fans, and people will reciprocate.

Happy writing!

Why You Should Keep Improving Your Skills #3

In life, everything is constantly changing. This applies to books and their current trending genres. One week, fairies are topping the charts, but the next, Greek goddesses have taken over. Depending what genre those examples delve in, the writing is different. Gone are the days when Tolkien’s style of writing was popular. Now, stories told from a First Person POV and leaning heavily towards romance are selling the best. Those two elements can be applied to any setting and genre, but only if you know how to execute it.

Reading in your genre is the best way to see what readers are looking for. As the saying goes, readers want to read the same exact thing, but with minor changes and some originality. Once they pick up a book by you, they expect the others to be similarly written.

If you’re expecting to sell a lot of books, it’s best to stick with the current writing styles of authors topping the charts. It’s a personal decision to attempt getting a book into all of the current trends. Sliding into even one of them will drastically boost your ratings and get the attention of new readers.

At this point, you may be getting a bit defensive at the fact you should improve your skills. There is a vast difference between style and skill. Style is the art of the storytelling. Your style may always be changing or you may have nailed it down earlier on. The skill is the execution of the writing and should always be improving.

In order to succeed, your writing skills will need to constantly be advanced. There’s not enough room for the famous “show, don’t tell” speech here, but you can find our previous articles for reference: Pitfalls to Avoid: Showing vs. Telling and Show, Don’t Tell.

Continued from
Why You Still Need an Editor After Multiple Books

Tighten Up Your Story: Dealing With Filler

One of the problems with amateur writers is that they tend to overwrite their narratives. Some of the bigger and more obvious examples are involving new characters who are undeveloped and don’t serve much of a purpose, a side arc that is introduced, but never resolved, unnecessary scenes, and purple prose used for mundane scenes. Those are the big problems. The small ones are using words that carry little to no meaning to the overall prose or narration of the story. Certain words can be filler too. In today’s post, we will discuss filler words. Note: this is in regards to the narrative, not dialogue. If your characters speak using the standard sentence structure of 21st Century English, it’s perfectly okay for your character to say, “Next thing I knew, this guy suddenly slaps me in the face!” But I show you how this is boring in the narrative.

Why get rid of filler words when it’s just a word here and there?

Simple. Imagine your reader enjoying one of your action scenes of a pivotal battle between a knight and the renegade king’s guards. You write this:

Suddenly, the knight let out a scream as the guard’s blade struck out, driving deeply. He gritted his teeth as he saw three more men unsheathed steel, joining in the battle. The knight countered and the guard let out a dying scream as the magical sword punched through the man’s armor.

Abruptly, the knight heard the sound of boots thundering down the hall toward him, the battle far from over.

Bad Adverbs of Instant Action

Suddenly, immediately, abruptly, slowly, and quickly are adverbs of instant action. And they are useless. Pathetically, unequivocally useless. In the above example, There is a battle being waged. Of course, everything will move as fast as possible. So the words “suddenly” and “abruptly” are pointless. Get rid of them.

Verb + out = filler

Cry out, let out, screamed out, shouted out, are examples frequently used by amateur writers and even some experienced ones.

“…the knight let out a scream…” Why use this? Why not, “The knight screamed as the guard’s blade struck”

“…the guard let out a dying scream…” Let’s replace with “…the guard howled his death throes as…”

I saw, I heard, I knew, I kicked butt

The words “saw” (and all its variants and synonyms), “heard,” and “knew” are useless words in about 99% of all cases.

“….the knight gritted his teeth as he saw three more men…” Replace with, “…three more men…”

“…the knight heard the sound of boots…” Let’s rewrite it to “The sound of boots thundered down the hall…”

Here are some more examples:

“Jack saw the man draw his gun.” Go with, “The man drew his gun.”

“Margaret heard a moan in the closet.” Go with, “Someone within the closet moaned.”

Let’s clean up our original example, shall we?

The knight screamed as the guard’s blade struck, driving deeply. He gritted his teeth as three more men unsheathed steel, joining in the battle. He countered, the guard howling his death throes as the magical sword punched through the man’s armor.

The sound of boots thundered down the hall toward him, the battle far from over.  

Happy Writing!

2021 Third Quarter Book Releases

Listed below are the Dragon Soul Press anthologies that released during the third quarter of 2021.
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July

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Criminals will be criminals.

Blood soaks the streets. These murderers must be caught before they find their next victim. Deadly skin-walkers, determined vigilantes, dastardly vampires, and many more will leave you on the edge of your seat.

Beneath the Skin by Lincoln Reed

The Watcher by Lincoln Reed

I Know Who Did It by Christina Hoag

An Oath to the Sun by Austin Worley

Orion by Stephen Oliver

Yenaldooshi by Gregory Scott Matics

The Reamer Killings by Tim O’Neal

Die Tired by Douglas Allen Gohl


August

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A game of life and death.

Trapped in the game by a glitch or by other nefarious means, these characters must play their way out or lose their lives in the process.

Replay by Lincoln Reed

Threads by Rose McClary

Do You Remember Jazzy? by Chris Lilienthal

Blood Magic by Douglas Allen Gohl

Call Me Aggie by Gray Stanback

The Silver Cross by J.E. Feldman


September

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Intergalactic adventures await…

Forgotten planets watched over by stoic librarians, investigations into extinct worlds, and accidental discoveries of lifeforms gone awry send these characters reeling with information they might be better off not knowing.

Ex Libris by Lincoln Reed

The Cradle Expedition by S.Z. Sekulin

The Selection Process by Barend Nieuwstraten III

Snakes in the Tomb by Matthew M. Montelione

A Lost World by A.K. Stuntz