Interview with Author Debbie Manber Kupfer

Dragon Soul Press sat down to interview the author of P.A.W.S.


Where do you get your ideas?

Anywhere and everywhere. I’m an avid people watcher. I love to sit in cafes and watch folk and eavesdrop on conversations. And a lot of those observations end up in my stories.

What is your writing process like?

During the first draft I set myself a daily goal of somewhere between 500 and 2K words a day and don’t allow myself on the internet until I’ve made my goal. I write the first draft through to the end and try not to edit at all. If I need to research something I put a note in the document and plough through.

Once I’ve finished my first draft I put it down for a bit. I’ll work on something else – editing for a client or write puzzles. Then when I come back to my manuscript I have fresh eyes. I start from the beginning and read and edit. Now also I’ll research the bits that need to be researched and smooth everything out. It sometimes takes two or three passes at this stage for me to feel ready for the next.

Next my book goes to beta readers. I currently have four—all trusted friends who I know I can trust to be brutally honest with me. Once again while they have my manuscript I work on other stuff.

When I get their suggestions back I go through my book again incorporating their suggestions when they make sense to me. Then the book goes to my editor. Then I make her changes, read through the whole thing again and then format and send for a proof copy. I proofread on paper. It’s amazing the mistakes we miss and I find using a physical copy is the best way to catch them.

Finally I publish … and then I start all over again with the next book.

What advice do you have for writers?

Just write. I spent years starting novels and dropping them. You have to start something and keep going until you’re done. For me the thing that helped a lot with this was doing NaNoWriMo. NaNo taught me the importance of getting the first draft down.

Also don’t sabotage your efforts by getting critiques too early. Wait until you’ve got that story down and self-edited one time at least before you start showing it to others. Yes, beta readers are an extremely important part of the process, but I’ve definitely seen writers getting discouraged before they even really start because of harsh criticism.

What’s your favorite under-appreciated novel?

Imminent Danger and How to Run Straight Into It by Michelle Proulx. A wonderful fun space opera. Highly recommended.

How do you balance making demands on the reader with taking care of the reader?

I respect my readers and understand that they are investing their time and money into my work. To that end I guarantee that it will all make sense in the end. I have created a massive world in P.A.W.S. with a lot of characters and storylines and it can sometimes seem confusing, but I promise that all the puzzle pieces will fit together in the end.

As a writer, what would you choose as your mascot/avatar/spirit animal?

The cat of course! There are cats in nearly everything I’ve ever written.

Do you base your characters off of real people close to you?

Often yes. Sometimes this happens intentionally. For example there is an animagus kangaroo in P.A.W.S. called Joey Marks who I wrote for my son, Joey. He shares a lot of his traits – bouncy, curious and very fond of games and puzzles.

Other times it’s not intentional, but when I look back at a character I realize they resemble a family member or close friend.

What is the most difficult part of your artistic process?

Not being distracted by the internet and in particular Facebook. For this reason I try to write in the morning before allowing myself on the internet.

How long on average does it take you to write a book?

Usually it takes around a year, but my newest release, Cotula, which is coming out in August actually took me two years to write as it’s the longest and most complex book I’ve written so far (over 130K words.)

I know a lot of indies rapid release mounds of books, but I can’t do that. My books need to percolate slowly.

Where can readers learn more about you?

On my blog, Facebook, Twitter, Newsletter, Amazon.

I love hearing from my readers, so feel free to drop me a line!

Cardinal Sins in Writing

Amateur writers make a lot of mistakes. After all, writing is a learning process. You should always practice, practice, practice, and get your work edited, but what about during the process itself? What is it you should avoid as much as possible before you send your work out to the beta-readers? There are a lot of cardinal sins in writing. I will go over several here. Chances are if you have one or more of these in your story, your lit agent, or publisher will give your work a pass. In no particular order of importance, they are:

1. Tell, do not show. You tell me someone is angry, happy, or sad. You do not describe the body language to allow myself to make that judgment for myself. You use adverbs out the wazoo. A good rule of thumb, avoid using emotive words altogether. Also, avoid using descriptive dialogue tags when said and ask should suffice.

2. You use Passive Voice. The plane was exploded by a bomb instead of: A bomb exploded the plane. Was, were, had, to be, being, has been, have been, etc. All are passive verbs. Now you don’t have to try to eliminate all your passive verbs, but your action verbs should considerably outnumber your passive verbs.

3. Your Main Character is a Mary Sue / Gary Stu. Your character can do everything. They are smart, beautiful, strong, fast, sexually attractive (I’m talking h-a-w-t), can fight with just any kind of weapon, cast spells, the child of a god, (sigh!) the list goes on. Or maybe, they are not all those things, but you’ve constructed the story so that every challenge your main character faced, they just breezed right through.

4. Your story has no tension. Are the victories and arguments your character faced too easy? No setbacks? No twists? Everyone just goes along with the MC just because they are awesome? Yeah, don’t do this.

5. You pacing is disjointed. You put the climax in the middle of the book and the denouement is the wrap up from there on out. When gearing up for that epic battle, it completely fizzles or worse yet, it’s extraordinarily brief or doesn’t happen at all. Remember, your readers are conditioned to enjoy a completed story of beginning, middle, climax, denouement.

6. You switch POVs. Either choose First or Third Person. There are others, but uncommon and not really used effectively. If you choose First Person, then your story is told through your Main Character(s)’ eyes and by what they know. We don’t have the luxury to get into someone else’s head unless your MC can read minds. Third Person is quite common (and there are different subtypes), but if you switch POV’s from one character to the next, give us a scene break or chapter break so we know we’re hopping around. Second Person or other styles are very rare – use with caution.

7. You info-dump. If you write about the elves’ special coming-of-age ritual, we don’t need to know every single little detail about it unless necessary and especially if you tell it as if I’m sitting in History class. If we don’t need to know it for the story, odds are you didn’t need to tell us. Cut it out.

8. You did not research your story at all (or enough). You have a battle in the early 1800’s and your MC mans a Gatling gun, mowing down enemies. Except that the gun wasn’t invented and put into use until the American Civil War. Make sure you have done all the necessary research related to your story. If you set your story in an era where there is a lot of contention or debate among prominent historians/scientists, your safer bet is to go with the more popular accepted theory.

9. You did not write for the market. You love Twilight. You decide to write a love triangle with a sparkle vampire, a buffed werewolf, and a human girl who needs a boyfriend. Except no publisher wants a Twilight clone. They are done with it. They are also done with Harry Potter, Hunger Games, 50 Shades of Grey,and Game of Thrones. They are sick of the Chosen One trope. All of this is clearly written in their submission guidelines, but you wrote your Twilight story anyways. Was your story good? We won’t know unless you self-publish because that’s your only course of action from here.

In short, finish your story, and get it done. But after that, go through and look for all these areas of perceived weakness. Clean it up. Then gather your beta-readers to let them look for any weaknesses you missed.

Interview with Author Silvana G. Sanchez

Dragon Soul Press had the opportunity to sit down and interview Author Silvana G. Sanchez who is launching the second edition of her series!


 

What does literary success look like to you?

Literary success to me is the ability to reach out to the reader with my words, establishing the magical connection that allows readers to immerse themselves in the worlds of my creation. The complicity between authors and their readers is unique, without it you’ve got nothing. Success in all its forms stems from that first unique bond.

Do you view writing as a kind of spiritual practice?

Perhaps more psychological than spiritual. There is only so much I can store in the archives of my brain. I’ve gone through several emotional hardships in the last couple of years. Losing my first-born son, Iker, and being myself so close to dying definitely reshaped all of my preconceptions and reaffirmed my belief in what’s truly important in life. To this day, I find myself still placing those thoughts and emotions in the right compartments of my heart; writing sometimes is a healthy way to cast them out of my mind and onto the page, where they serve a better purpose… I guess in the end, writing can be healing in a spiritual sense.

What do you owe the real people upon whom you base your characters?

I try not to base characters solely on people I know, but there certainly have been major influences from friends and acquaintances in the building of my characters. If I told you how Ivan Lockhart came to life as the heart of The Unnatural Brethren series, you’d probably call me crazy…and you’d be right, lol. There’s a lot of crazy going on in my writerly mind.

But seriously, I am grateful to have such a rich assortment of personalities amongst my friends, and I owe to them portraying on the page those traits and quirks as honestly as I can.

How many unpublished and half-finished books do you have?

*Insert maddening laughter here* So many! I’m currently working on five projects, shuffling revisions, drafts, and editing between them. Hopefully, you’ll get to see the third installment of the Unnatural Brethren series by the end of this year!

As a writer, what would you choose as your mascot/avatar/spirit animal?

The dragon is a symbol that has accompanied me for years. In my view, the dragon represents strength, wisdom, and resilience.

I have a dragon tattooed on my back, two dragons actually. Each dragon symbolizes my past and future. Both are entwined emulating the Caduceus symbol, alluding to the fact that I’m also a doctor.

This interview is for Dragon Soul Press, so there you go: Dragons are the best!

How do you balance making demands on the reader with taking care of the reader?

I don’t know that I am too demanding on my readers, maybe my sole demand would be for them to keep track of the characters and their plotlines –since there are so many.

I take every comment seriously and I listen to my readers’ expectations. Oftentimes, their hopes will meet with the needs of the story, and when they do, it’s exciting to give them that special scene they’ve been waiting for, knowing they’ll be as thrilled as I was when I wrote it.

What’s your favorite under-appreciated novel?

It has to be Jane Austen’s Persuasion. The theme is brilliant, how Anne Elliot is persuaded to break off her engagement to Wentworth, only to realize later on she’d made a mistake. Of all of Austen’s works, Persuasion gets the least amount of love. But it’s truly a masterpiece, not only because of how Austen handles the plot but because her narrative style was more mature by then. She expanded the use of Free Indirect Discourse, blending the voice of the narrator and character seamlessly, which immerses the reader in the story. It’s simply wonderful.

How many hours a day do you write?

More than measuring time, I keep track of my daily word count. Lately, my minimum daily word count has been two-thousand words, sometimes I get to five or six-thousand. What’s most important to me is to write every single day, which is easy when you have so many ongoing works in progress like I do, lol.

Have you read anything that made you think differently about fiction?

I certainly have. There have been works which have reached best-selling status very quickly, even made it to the television or the silver screen, and by the time I’ve gotten around to reading them, they’ve proven painfully disappointing. I don’t want to start a whole thing about it, so I’ll keep those titles to myself. (It’s not you, J.K. Rowling, just in case you were wondering. It’s not you either, G.R.R. Martin, your books are brilliant!).

Where can readers learn more about you?

You can visit me at my website, Facebook, and Twitter. Looking forward to connecting with you there!

Invisible Words: Dialogue Tags and Why You Don’t Need Them (Much)

You’ve probably heard this piece of advice before, “Don’t use descriptive dialogue tags. Use only said and ask.” And that’s good advice. It makes a lot of sense because it is really jarring to read something like this:

John quipped, “I know, let’s go to the movies!”

Sarah gasped, “But we’re not allowed. It’s against God’s law!”

“We never get to have any fun,” John grumbled.

“We could just go over to those bushes and have sex,” whispered Sarah.

John paused. He exclaimed, “Sure!”

Yeah, that’s terrible. So, how are we supposed to do it? Like this:

John said, “I know, let’s go to the movies!”

Sarah said, “But we’re not allowed. It’s against God’s law!”

“We never get to have any fun,” John said.

“We could just go over to those bushes and have sex,” said Sarah.

John paused. He said, “Sure!”

The reason why the second sample was better than the first is that the words said (and ask if used) are invisible to the reader, and it shifted the emotion in the dialogue for the reader to figure. However, sometimes this can be jarring. Why? Because examine all those times I used the names John and Sarah. If I keep writing, John, John, John, Sarah, Sarah, Sarah, guess what your brain is likely to tune out or keep stumbling over?

And that’s what this post is all about–provide you another tip on style by omitting said and ask as much as possible. Let’s redo the example.

John snapped his fingers. “I know, let’s go to the movies!”

Sarah lifted a hand to her mouth. “But we’re not allowed. It’s against God’s law!”

“We never get to have any fun.”

“We could just go over to those bushes and have sex.”

“Sure!”

In the last example, I’ve picked up the pacing on this and used a little body language to instead of a dialogue tag. Second, I eliminated the dialogue tags in the last three lines.

So how does this help you? Here’s how this stylistic approach can improve your writing.

It strengthens your showing, not telling. What did you think of when John snapped his fingers and then said, “I know, let’s go to the movies!”? He hit upon an idea is what most of you will say, but some of you will have a different opinion, and that’s fine.

Since our brains are trained to ignore the words said and ask, just get rid of them anyways. Use them sparingly, but for the most part, you don’t need them. Warning: you don’t want to get yourself into “talking-bubble-head-syndrome”. You do need to show who is talking. Here is an example:

Samdel patted his rider’s coat, lifted out the lapel, retrieving a cigar. “What were you saying, girl?”

“I hate it when you smoke those thrice-damn things around me!”

“Huh. A demon said that to me once.”

You know right off that Samdel is the first person who started this part of the conversation with the narrator telling he’s fishing out a cigar. Then, we know whomever he’s talking to responds, and then he says something back.

Now, when does this not work really well? When you have three or more people involved in conversation. Still, you can eliminate a great deal of said and ask by utilizing your prose to indicate actions from all your characters, but if you need to move rather quickly, you’re better served by using said and ask to ensure your reader doesn’t get confused or lost in the conversation. Another problem some writers have created when using this method is “floating heads” or “talking-bubble-head-syndrome”, and I covered that topic in an earlier post.

In short, here’s a tip on honing in a stylistic choice to remove mundane words and help your prose with more showing than telling.

Happy writing!

Interview with Author Sofi Laporte

Dragon Soul Press sat down with Author Sofi Laporte for an interview.


What gives you inspiration for your books?

I write across genres, but mainly YA, paranormal and romance. My stories usually have “a sprinkle of magic”, a touch of magic realism. I basically collect story ideas from every day-life, from the mundane, and sprinkle some magic on top.

What inspired Loreley, my story in Sea of Secrets Anthology, was a childhood memory. Specifically: the German song Loreley that my grandmother used to sing to me on her mandoline. When I thought about what to write for this anthology, the melody suddenly came to me. I actually heard the music. I knew then that I had to write about the Loreley legend.

Chestnut Woman was inspired by a real person, a neighbor in Vienna. She had a gossipy nature, a strident voice and knew everything about everyone. It was unbelievable what she knew. What if, it occurred to me, underneath this garish façade she is someone entirely different? Maybe someone magical? This is how Mrs Schmidt was born.

To sum up, what inspires me: music, real people, places I’ve lived and visited, childhood memories. Somehow it all magically comes together to form a story. This is why I love writing!

Of all the characters you have created, which is your favorite and why?

Arthrapax. The precocious cat who is in reality a dragon. And not just any dragon: Morgana’s side-kick, her pet dragon! He’s modeled on my own cat, who has the same sassiness.  Arthrapax is a side character in Chestnut Woman in Sea of Secrets Anthology, but he really deserves his own book.

What is the biggest surprise that you experienced after becoming a writer?

All this marketing! I never thought I’d have to take a crash course on marketing just because I wanted to write stories and share them with other people.

Any website or resources that have been helpful to you as a writer?

So many! 10 minute novelist Facebook group: https://www.facebook.com/groups/10MinNovelists/, 365 writing challenge group which is a sub-group of 10 minute novelists and which taught me to put butt-in-chair and write every day: https://www.facebook.com/groups/365writingchallenge/; Helping writers become authors blog and books by K.M Weiland: https://www.helpingwritersbecomeauthors.com. Special shout-out to Inkslinger’s Den, a Facebook group by Brenda Littau with the best how-to videos on everything a writer needs to know:  https://www.facebook.com/groups/INKSLINGERSDEN/. My favorite books: Bird by Bird by Anne Lamott and The Artist’s Way by Julia Cameron. I also read a ton in my genres; mainly YA, romance and paranormal.

Have you thought about joining with another author to write a book?

Yes, it sounds like fun! I might like to try that one day. Some of my favorite books were co-authored, like Holly Black and Cassandra Clare’s Magisterium series; or the Beautiful Creatures series by Kami Garcia and Margaret Stohl.

But first I would like to focus on my own books.

What do you think about the ebook revolution?

I’m pro-technology so I support that. I mean, who doesn’t enjoy this: click and voilà, there’s your book! Instant gratification! In my “other” life I work as a librarian and a teacher, so I speak from experience that e-readers help dyslexic children with their reading comprehension. Also reluctant readers can be enticed to reading via e-reading programs. There are some truly great reading programs and Apps out there. Additionally, ebooks are a blessing for elderly people, because they can enlarge the font with a click. I know some people prefer ebooks over paperbacks because the printed font is simply too small. Yet we need not fear that traditional books will become extinct because of ebooks. A few days ago there was an article in our local newspaper saying that the printed book has “outlived its own death” – referring to the ebook revolution and the fear that, as a consequence, paperbacks will become obsolete. They won’t. Independent bookshops are on the rise again. As for myself, when it comes down to choosing between reading an e-book or paperback: it really depends on how impatient I am to read the book. If I have to wait a long time for the book to arrive, I will just read the e-book. Otherwise I usually prefer the paperback over the ebook. I do love paper, the touch and smell of it. And I adore bookshops! I have wonderful memories of standing in line early in the morning at a bookshop in Västerlanggatan in Stockholm to get my hands on the newest Harry Potter book. You don’t get to have those wonderful memories with the instant gratification of e-books.

Have you written any other books that are not published?

Ahem. There might be a whole drawer full of manuscripts somewhere …

What tactics do you have when writing?

I do both, really, though I lean toward pantsing. I outline only to discover that my characters have totally different ideas, and suddenly I find myself happily pantsing away. When I start out pantsing a story, however, I inevitably get stuck sooner or later, and then I need to retrace my story and outline. Too detailed an outline doesn’t work for me, however. I find that restrictive.

What is the toughest criticism given to you as an author?

“This is boring” – at school, response by a classmate. Ouch. The positive side of this experience is that it now motivates me to learn the craft of good writing: it made me aware that we tell stories to our readers, not only to ourselves. And readers want to be entertained, gripped and drawn into the story. Learning to write like this is what I am currently obsessing about.

Where can we find you online? 

Please visit me at my website www.sofilaporte.com where I blog about reading, writing and exploring castle ruins (my particular hobby) – with a sprinkle of magic! Also on Instagram and Twitter.