Killing Characters

This seems to always be a divisive subject amongst writers. Some writers wouldn’t dream of killing off one of their characters, while other writers are more than happy to recreate their own versions of the infamous Red Wedding from Game of Thrones within their own works. Within the realm of fiction, character deaths can extend beyond just those of the villains. Side characters and even some main characters can be subject to meeting an untimely death. These are the characters that readers will mourn, especially if they happen to be a fan favorite. As writers, we know that not every character’s story can end in happily ever after. But killing characters can be a delicate art. You don’t want the death to be pointless, you want it to mean something. Below are somethings to keep in mind when you’re contemplating a potential character death. 

Positive Reasons to Kill a Character:

1) Kick off the inciting action or to reveal a hidden secret. Sometimes our main character needs to experience the death of another character in order to get them to begin the proverbial hero’s quest. But at the same time, you don’t want the death to come across as cheap writing or cliched. You want this to be meaningful to the plot. In order for the death to be meaningful to the story’s plot, ask yourself if this inciting action can be kicked off any other way? Or can this hidden secret that is integral to the plot, can that be discovered any other way? If not, then you can proceed with the character’s death.

2) To motivate other characters. Again, death can be a great motivator to both heroes and villains. But you don’t want it to be the sole purpose of their motivation, meaning don’t kill a character just to get your hero or villain started on the path of their character arc and development.

3) To highlight a universal truth within your story’s universe. Sometimes some character deaths have to be sacrificial for the greater good of the story. If death is the only way to highlight a universal truth in your story, then do it. Or if you’re writing a series and you get to a point where there is no other way to illustrate a continuing theme then use a character death. 

4) It’s the only logical way of ending a character arc. There are plenty of ways for your character to come full circle and grow. Death doesn’t always have to be the answer. However, there are times when it is the only answer. As the writer of the story, you will know if this is the only way of wrapping up a character’s arc. 

Negative Reasons to Kill a Character:

1) Solely for the purpose of shocking your audience. No, no, no. You will only make your fan base angry. Don’t alienate your fan base.

2) To start some drama. If you’re killing a character just to spice things up within your story, then you really need to re-evaluate your plot. There are definitely tons of other ways to shake things up without having to kill a character. My personal rule is if you feel your story needs something shocking like a death to save it, then you really need to start from scratch again. 

3) Just for the character development of someone else.Yes, sometimes either a hero’s backstory or even a villain’s backstory will include the death of someone close to them in order to get them started on their respective paths. However, killing a character just for the purpose of further developing another character is not necessary. You can achieve the same effect with a less tragic accident. For example, if your story is about two brothers who haven’t spoken in 10 years, you don’t need to reconcile them by having them lose their mom in a firey car crash. Simply having her hospitalized with a broken leg would be enough to get them back in town and have to face one another and eventually reconcile. You still achieve the character development but without the character death. 

4) You’re unsure how to further the character’s storyline. This more applies to minor characters who sometimes serve their purpose in a story, but then we, as writers, don’t know what to do with them. While the topic of what to do with minor characters after they’ve served their purpose is always up for debate, killing them off isn’t advised. It serves no purpose and if they happen to be a well-received minor character, this can end up angering the fandom. 

5) You don’t like them. We’ve all had characters that we don’t like in our stories. And I’m not necessarily talking about villains. Sometimes as writers we create minor characters or even major characters that, as we get into the writing process, come to find we don’t actually like writing them. Either they’re too boring, we’ve gotten sick of writing them, or we simply can’t connect with them. The easiest solution to this is to remove them all together from the story. Make it such that they’ve never existed within our story’s universe. Sometimes I have found that these characters I don’t like are simply in the wrong story and once I find where they fit, they work much better. I’ve also found that if a character is easily removable from the story, then they were irrelevant to it anyways. Of course, problematic characters aren’t always easily removable like this. Sometimes a character needs to be in a story but we, the writers, just can’t stand their story anymore. Don’t kill them off, find another less dramatic way of writing them out.

Author Interview with Ashley L. Hunt

Dragon Soul Press sat down to interview Fairytale Dragons Author Ashley L. Hunt.


  1. Where do you get your inspiration?

My inspiration comes from a lot of places. Sometimes it’s a way I had wished another story ended. Some of it is adventures I would have loved going on, if they were possible. (Anyone know where I can team up with a dragon?) Sometimes characters just form and they need places to go.

  1. When did you start writing?

I was very young, I remember that. When I was 3 or 4, my brother and I would get all our toys and we would send them on these long epic odyssey to reach a goal. I didn’t think to set my stories to paper until I was 9 or so.

  1. What does success mean to you? What is the definition of success?

Success to me is completing a task and getting some acknowledgement for it. It’s probably on the smaller scale of what success means to others, but it’s good for me.

  1. How much ‘world building’ takes place before you start writing?

It’s a little bit before and some after. I leave space to build as I go, but I have enough foundation for a solid world.

  1. Describe your perfect book hero or heroine.

A perfect book hero is someone who is flawed, someone who gets scared or isn’t always sure, but does their best anyway. For me, they need to do what they can to make the world better, and they learn a lesson on the way.

  1. What was the inspiration for the Fairytale Dragons story?

I’ve been studying fairy tales since I was a child and I absolutely love dragons. Cinderella is easy to mock because in today’s day and age she looks weak. It’s not fair because she was a brave and courageous young woman who stands up and she bears her part well. She deserves better and I hope I gave her that.

  1. What were the key challenges you faced when writing this story?

In the original, Cinderella is passive and docile. She reacts to the plot rather than inspiring it. The plot happens around her. So I had to give her an active role in the story. Her godmother is also this strange shadow in the background who shows up randomly then vanishes from the story again. (According to the French telling, she’s absent in the German and Italian) so an added challenge was to show a relationship with Cinderella and her godmother while giving her a reason to not help Cinderella.

  1. Who is your favorite author and why?

Favorite author is harder to pin because there are so many for a million different reasons. Madame Du’alnoy stands out among fairytale writers because she has a particular style to her writing that is rich but doesn’t bog down the story. My favorite book is the Wizard of Oz, by Lymen Frank Baum so of course he has a special place on.

  1. What was your dream job when you were younger?

I wanted to be a singer, but I can’t hold a note. My dog runs up to check if I’m dying.

  1. Where can readers learn more about you?

You can find me on Facebook.

View at Medium.com

Author Interview with Robert Prescott

Dragon Soul Press took a moment to interview All Dark Places 2 Author Robert Prescott.


1. What inspired you to start writing?

I caught the bug in high school through reading. I read a lot of fantasy and horror, and I was enthralled with the world building and relationships between the characters I was reading about. That led to me writing my own stories, which I’d bring to my creative writing teacher for feedback.

2. What advice would you give a new writer, someone just starting out?

Don’t do what I did. After high school I let writing fall by the wayside because of my career and other creative outlets like music. It was only in the last year or so that I rediscovered how much I love telling stories, and now that I’m refocused, I regret the time I lost. Aside from that, I’d say don’t be afraid to submit your work. Be confident in yourself and your story—all they can say is no, right? That doesn’t mean someone else won’t say yes. Lastly, make sure every part of your submission (the story, the body of your e-mail, your author bio) are all fully proofread and professionally presented.

3. How do you handle writer’s block?

How do you come up with the titles to your books? I’ve only written short stories so far, and I usually look for a common theme in the story to help me with the title. In The Cell Block, that theme was obvious since the entire story takes place in the town jail. I did the same thing for another story of mine titled Black Friday.

4. How do you do research for your books?

I’ve mostly used the internet to find what I need. It can be risky due to the loads of misinformation on the web, but if you take your time you can find a lot of good primary and secondary sources for your topic, and even peer reviewed articles if your story contains more technical or scientific aspects.

5. Who is your favorite author and why?

Stephen King. He’s probably the main author who inspired me to write. Any time I’m describing what a character is thinking or feeling during a scene, it’s because I read so much of that in his work.

6. What do you like to do when you are not writing?

When I’m not writing I’m either playing guitar (mostly rock and hard rock), gaming (PC, Xbox, or Switch), spending time with my girlfriend, or reading.

7. Favorite artist and favorite song?

Music is a huge part of my life—there are too many artists to pick a favorite! Right now I’ve got “Blood From Above” by Stryper on heavy rotation, and I’ve also been listening to a lot of Metallica, ZZ Top, and Rush.

8. What are you reading now?

I just started re-reading The Night Angel Trilogy by Brent Weeks.

9. What’s your favorite food?

Italian food, definitely. Manicotti, lasagna, and spaghetti are some of my favorites.

10. Where can readers learn more about you?

My Amazon author page, Facebook author page, and lastly, my Instagram author account.

Author Interview with R.L. Davennor

Dragon Soul Press sat down to interview Fairytale Dragons Author R.L. Davennor.

1. What inspired you to start writing?

I was a reader first and foremost. After tearing through books in grade school and reading every novel in my favorite genre (fantasy), I still couldn’t get enough, and another problem arose: I was now getting in trouble for reading while my teachers were talking. The solution most beneficial to all was to begin writing my own! Writing during class looked an awful lot like note-taking, and it wasn’t long before I began filling entire notebooks with my stories (which I still have to this day). From then on, I was hooked.

2. How do you handle writer’s block?

This isn’t to sound high and mighty, but I truly don’t experience writer’s block now that I’m in the habit of writing something every single day, whether I’m in the mood or not! If I am struggling with a particular passage, I have a few things I do to help flex my writing muscles. Good old-fashioned coffee is at the top of that list, as is putting on some good mood music. If that still doesn’t help, I sometimes need to just accept that the passage I set out to write isn’t getting done today, but instead of quitting entirely, I move on to a section that is more enjoyable or switch to a different project, making a note of what I was struggling with to help me whenever I’m ready to return to the problem section.

3. What is the most difficult part about writing for you?

Currently, it’s balancing writing and all things author with my day job and other responsibilities. I live alone and work full-time to support myself, so on days I work I’m left absolutely exhausted by the time I get home, and often find that I’m equally as busy on my days off running errands and cleaning. Though it’s hard, I’m pushing through with the goal to one day make writing my job!

4. Which of your books were the most enjoyable to write?

At the time of this interview, I only have one published work: Lyres, Legends, and Lullabies, which is more of a showcase of music I’ve composed rather than a cohesive story. I have two other fantasy trilogies in the works: a dark fantasy epic titled The Blood of the Covenant Trilogy, and a pirate adventure romance titled The Godsworn Trilogy. Though I consider the former my passion project and it’s been in the works since my earliest days of writing, I would say that Godsworn has been more enjoyable to write, simply because I feel freer while doing so. There’s a very set vision I have in mind for Blood of the Covenant, while Godsworn is something I can let loose and have fun writing and creating.

5. What was the inspiration for your Fairytale Dragons story?

When I set out to be part of the Fairytale Dragons Anthology, I knew the most well-known fairytales were likely to be chosen by other authors. I wanted to pick a lesser-known tale both to make my story stand out and to help readers discover a fairytale they may have never heard before. My choice to retell Swan Lake harkens back to my days as a classical musician, and while the tale is deeply familiar to me, it’s definitely not even one of the top ten that comes to mind when people think of the word ‘fairytale.’ As for the retelling itself, considering that Odette is a shapeshifter even in the original, it came easily. One of my critique partners put it best while reading my submission: “You love dark, violent woman, so I wasn’t surprised by [your version of] Odette,” and it’s so true! Most of my works center around such a character, so I didn’t have difficulty morphing the original Odette to fit such a role.

6. Are you working on anything at the present you would like to share with your readers about?

Yes! As stated above, I’m currently working on wrapping up the first book in The Blood of the Covenant Trilogy, titled Bloodlust. If you enjoy my story in the Fairytale Dragons Anthology, it’s actually a very accurate taste of what to expect in Bloodlust. It’s gritty, dark, violent, and features a female lead who is all of these things and more. The blurb is below, and it’s set to release on December 29th, 2020!

Dragonsblood is more than life.

It’s magic.

But Rebecca Marella couldn’t care less about hers. She’s more concerned with protecting her cousin—even if it means marrying a man she doesn’t love.

Even if it means lying through her teeth.

And even if her desperate choices lead her to violence.

Yet for every line she’s willing to cross, her enemies are two steps ahead. When tragedy strips Rebecca of everything she’s ever known, she’s forced to confront the source of her terrifying power.

And mixing with dragons is a dangerous game.

Saving those she loves will mean blood on her hands—but each drop spilled only fuels the darkness within her. The more it feeds, the more ravenous it becomes, and satiating the beast will cost more than Rebecca was ever prepared to give.

She must salvage her humanity or find herself among the very monsters she swore to defeat.

7. Who is your favorite author and why?

I truly don’t have one individual that stands out above all the rest. There were plenty of authors who helped shape my childhood: Erin Hunter, Christopher Paolini, Cornelia Funke, Rick Riordan, and Suzanne Collins are certainly up there, as are the Warrior Cats Series, The Inheritance Cycle, The Inkheart Trilogy, Percy Jackson & The Olympians Series, and The Hunger Games respectively, but I tend to gravitate towards individual titles rather than the authors themselves. Nowadays, I read mostly self-published works, and have found tons of new gems to follow: notably Clare Sager, Jenna Moreci, and Meg LaTorre with their works Beneath Black Sails, The Savior’s Series, and The Cyborg Tinkerer.

8. Who is the author you most admire in your genre?

Jenna Moreci immediately springs to mind! You might recognize her from her very popular and successful YouTube channel, and this was how I originally discovered her as well—but she’s also a very accomplished bestselling author! My current read is her dark fantasy novel The Savior’s Sister, the companion novel to the bestselling The Savior’s Champion, and though I didn’t think it was possible, Ms. Moreci has outdone herself in every possible way in The Savior’s Sister. I was lucky enough to receive an Advanced Reader Copy of the novel as it doesn’t release until September 29th, but if you’re a lover of dark fantasy romance, I highly recommend The Savior’s Series. In addition to writing bestselling books, Ms. Moreci also runs a YouTube channel, Writing with Jenna Moreci, in which she makes weekly videos about everything writing, publishing, and more. I admire the way in which she not only gives back to her community but how professional and kind she’s been in each of the personal interactions I’ve been lucky enough to have with her.

9. What do you like to do when you are not writing?

I love spending time with my partner, reading, caring for my menagerie of pets (I have a cat, four rabbits, a tortoise, three snakes, two frogs, and some fish, and also frequently foster animals from my local shelter), playing video games, and making music either by playing my instruments or composing my own.

10. Favorite artist and/or favorite song?

You can’t ask a professional musician this question! Kidding—but that’s a hard one and the answer will be similar to the ‘favorite author’ question: I really don’t have one, because my taste in music changes by the day, and sometimes by the hour. I listen to quite a bit of classical music, with the mid-late romantic era composers being my favorite (Tchaikovsky, Mahler, Shostakovich, Prokofiev). I love instrumental music in general, as I can’t listen to anything with lyrics while I write as it’s too distracting. Modern favorite instrumental composers include David Chappell, Greg Dombrowski of Secession Studios, and Lucas King.

11. What was your dream job when you were younger?

The first career I ever remember wanting to have is a veterinarian, which makes total sense considering my love of animals, but I’m glad I chose a different path. I’ve seen glimpses of animal surgeries in real life and don’t think I could stomach doing that on a regular basis!

12. What famous author do you wish would be your mentor?

Jenna Moreci for several reasons: she has a professional background in business and marketing, has knowledge of video editing given her YouTube channel, and she’s a bestselling author in her own right, who happens to also write in my genre! I could put all of these skills to use and would love to be mentored by and learn from someone as successful (and hilarious) as her.

13. Where can readers learn more about you?

Thank you so much for the interview opportunity, DSP, and for the great questions! And thank YOU for reading! I’d love to connect with you on any or all the places below!

Website – https://rldavennor.com/

Facebook – https://www.facebook.com/rldavennor

Twitter – https://www.twitter.com/rldavennor

Instagram – https://www.instagram.com/rldavennor

Amazon Author Page – https://amazon.com/author/rldavennor

Goodreads – https://www.goodreads.com/rldavennor

To hear my music:

YouTube – https://www.youtube.com/channel/UC_ViU2S2HrTc0XXaOHaWRFw

SoundCloud – https://soundcloud.com/rldavennor

How to Write Side Characters

When written correctly, side characters can actually be some pretty interesting people. Plus, they add a lot to the story. Yes, we all have to put effort into making our protagonists and antagonists multi-dimensional characters, but that doesn’t mean we’re allowed to forget about our side characters. While they might be minor characters in the grand scheme of things, they’re still vital to the telling of the story as they serve many functions such as revealing key details, motivating the protagonist or foiling the protagonist, and sometimes helping to outline certain plots in the story. These secondary characters can either interact with the protagonist through dialogue or through a memory that the main character has of them. 

Whichever way you choose to have your main character interact with your side character(s), it’s important to remember the main function of the side character: to help progress the story forward somehow. 

With that in mind, here are some tips to making sure your side characters are not one-sided.

Don’t get stuck on the little details:

Yes, writing a rich backstory is important to understanding your side character. But not everything has to be in your story. Just include the parts of the character’s backstory that are relevant to the plot and that move it forward. Don’t get stuck on the little details that don’t matter. It’ll only end up confusing your reader. A good tip to bear in mind is to ask yourself “does this add to the main story or distract from it?”

Don’t make them solely good or solely bad:

The best way to add dimension to your characters is to avoid making them one-sided. If they’re completely good or evil they’ll read completely flat. What I like to do for all my characters, including the side characters, is to give them three good virtues and three negative ones and work from there. The way I see it, if you mix black and white you get grey – and grey is where things get interesting. 

Don’t create too many characters:

Creating characters is fun. That is why it’s so easy to get swept up in the desire to write more and more characters, leading to your story to become very convoluted. If you ever read War and Peace, you know just how long that list of characters is. And if you read Tolstoy’s masterpiece, you probably had to refresh your memory a couple times while reading as you tried to keep up with all the characters. While Tolstoy somehow made it work in 587,287 words, most of us are probably working with a much smaller word count goal. Therefore we shouldn’t make it too confusing for our readers to keep up with our cast of characters. 

The side characters are there to develop the main character(s):

No matter if you have one side character or five, they all share the same exact purpose: to develop the main character. Side characters can be used to expose key plot points without you necessarily going into exposition mode and “telling” what is happening, but rather “showing” it through the characters. A side character should never be just background noise, each side character should be an active participant in the story and either support your main character or provide an obstacle for them (without necessarily being the antagonist). 

Use them to help bring the world to life:

This is particularly helpful if you’re writing fantasy or sci-fi. Secondary characters can be tools used to help bring the world you built to life. Physical descriptions, personal experiences, these are all ways that the side characters can help to better illustrate the world you’ve created. 

Try to keep them in one space:

In order to make it easier for your readers to keep up with your secondary characters, it’s a good idea to tie them to one location whenever possible. That means that your side character exists in one spot, like the bar, school, the library, etc. and they never venture beyond this point. But remember, even if they only exist as the woman in the coffee shop, they still need to serve a purpose to moving the story forward. It’s easier for your reader to learn character names etc. when they are in one location. But if you do move a secondary character around, do it with purpose. 

Give them a reason for being in a scene:

Speaking of purpose, you should make sure that your secondary character has a purpose for being in a scene. Like I said in the previous point, your side characters should really be kept to one location if it can be helped. But if you do end up moving them around, make sure that there is a reason for them to be in a different scene with your main character. If there is no good reason for your side character to be in the scene then it’ll just read as awkward and confusing.