Craving to be more productive in writing? Word count trackers help reach those long-term goals by breaking them down into daily chunks. Here are ten viable options to start ramping up your productivity.
A personal favorite of mine is WriteTrack. Created by David S. Gale, it receives special care and regular updates. Your progress is marked by a horizontal bar graph featuring your ‘Total Target,’ ‘Expected Progress,’ and ‘Actual.’ Below that is a monthly calendar where you are able to set your goals daily.
Realize that you don’t have time to give 100% today? No problem. Lower the daily word count goal and see how the rest of the month adjusts automatically to offset it. Going on vacation or something came up for a few days? Use the ‘Multi-Day Edit’ option to adjust it all at once.
You can name the project, include the summary, add a banner, receive your performance report, and so much more. Don’t forget to add your friends so you can cheer each other on!
Looking for something simpler than WriteTrack, but still visually pleasing? myWriteClub gives you the horizontal progress bar, a line chart that tracks daily progress, and a percentage of completion. All you need to fill in is the word count goal, an optional brief description/title, and the deadline. Additionally, there are options to track more than just words. Using the drop down menu for ‘Unit of measure,’ you have options of chapters, scenes, pages, lines, and more. Add your friends to keep each other on track.
This option is almost exactly like WriteTrack, except you can only create two projects in its free version. You can adjust the daily word counts generically under their ‘Strategy’ section, where options like ‘Rising to the challenge’ starts you off with low daily word counts and ends with you working hard in the trenches.
Depending on your visual preference, you can choose between a table chart, graph, calendar, or bar graph (you’ll have to pay for this latter). There are a few other little settings that help save time with planning out your schedule, but to have full access to the tools, it will set you back $8 per month or $72 per year.
Are you an avid gamer as well? 4thewords is a fantasy game that allows you to battle, quest, and more, but you’ll only succeed based on your word count. It can get very competitive, but is an immersive way to get the creativity flowing. You can try it for free with a 30-day trial. Afterwards, it’s $4 per month.
If you reach out to the NaNoWriMo community, you will receive plenty of support to get you through the writing craze. Let the creativity flow and have fun!
To make sure you meet the 50,000 word count requirement at the end of the thirty days, there are different approaches. You may plan to write 1,667 words daily, but the most important thing to remember is that life happens. Try to plan your schedule as neatly and accurately as possible while designating some additional time for the unexpected.
Having an outline (no matter how rough) will help prevent the need for brainstorming timeline events and alleviates rewrites. For our pantsers, a handful of sentences ordered chronologically is a great start.
If you have scribbled notes or multiple documents everywhere, condense and organize them. This way looking up information you need to refer back to (character/location descriptions, etc.) is quick and easy. This refers to your workspace as well. Clear the area of anything you will not need during the process.
To avoid overworking or guilting yourself about other projects, aim to complete any immediate unrelated tasks that will interfere with NaNoWriMo.
You can prepare your schedule and workspace, but your mindset will be the most important tool to achieve your goal. Remember to turn off your inner editor. It’s easy to edit a full page versus a blank one. Most importantly, remember to breathe. There will be plenty of time after to edit and mold the story into perfection. NaNoWriMo is solely to meet the 50,000 word count mark within thirty days.
DSP typically plans and produces six to twelve anthologies a year with a short story word count ranging from 5k to 15k words. Technically, there is no sole right way to write a short story, but there are a lot of wrong ways. However, we’ll focus on a couple of methods used to entice your reader and get them hooked on your story for the next twenty to forty pages.
Let’s assume you know the components for proper characterization, tension, theme, POV, etc. For a good short story, you only need to place heavy emphasis on two aspects of your story; a good hook and your scenes moving at a face pace toward the climax.
The hook is the opening line or scene to ensnare your reader. It’s a statement that makes them develop an interest in your story right off the bat. For a short story, you want them vested in your tale from the very beginning because you don’t have a lot of words to develop your character or theme. There are several easy ways to write a hook that will have your reader jump into your story; in media res, mystery, and disturbing.
In medias res means, “in the middle of the action”. Instead of starting out those teenagers having sex by the lake and then getting killed one-by-one by the psychopath in a hockey mask, you start the story with one of them running for his life while being chased by the psychopath. In my story, Malicyne’s Puzzle, the hook took place with a battle between a pirate ship and a naval frigate. Thela’s Angel started with poor Thela getting beaten to a pulp by her husband in the inn. Daughter of Darkness starts the story with the holy knight, Rhain, landing a killing blow through a demon lord’s heart in the temple of night elves dedicated to the worship of the Tri-Headed Queen.
Mystery is a very common mechanism. You start out with a profound statement or an enigma for your story. In my book, Fallen From the Stars, it opens with the following:
“Come with me.”
A gunshot rang out, followed by a woman’s scream and the world turned to utter darkness. That’s all I can remember.
Was the main character shot? What happened? Who said, “Come with me?” Readers don’t find out until Chapter 12 Bad Memories, but in a short story, you reveal the mystery of the hook usually at the climax or at the end.
Disturbing is a less common one but is great for grimdark fantasy, horror, or something in which you’re going for shock value. It makes your reader shout, “WTF did I just read?!?” and then they are compelled to read on just to figure out why you wrote that. The Disturbing method will typically contain triggers (again, for shock value).
A word of warning about using the Disturbing method – know your audience. If you’re a fantasy writer who typically writes YA epic fantasy and you want to try your hand at grimdark fantasy, your loyal fans are in for a rude awakening. Secondly, a lot of publishers have a “no graphic [anything]” rule (or rules on certain triggers in general), so don’t violate submission guidelines by writing something that will make people wonder if you’re sane or turn your editor off to you.
After you’ve written your hook, all your scenes following should be paced as if racing toward the climax. You’re not walking or building up to the climax, you’re running to it. A perfect example of how you should pace your story is by watching the promo trailer for Dragon Age: Origins. Here’s the link (Warning: Violence and Blood):
What did you see here if this was a story? An intrepid band of adventurers on a quest in monster-infested mountains filled with ice, snow, and death. There is the brief pause by the main character, a weapon is thrown from the ice and then boom, we are running through the action building up to the climax of the sorceress Morrigan casting a powerful lightning bolt that lays low the dragon. Did you note how fast the action moved and how it flowed from one character to the next? This is how your short story should flow from one scene to the next, and then building up to the climactic battle with the dragon at the end.
Master this and you’ll sweep your reader up for an intense ride with only a few thousand words.
In my recent social media adventures of IG and the Twitterverse, I’ve seen the recurring question:
How do I title my WIP?
Today, I’m going to walk you through how I title my works-in-progress!
While I admit I’m primarily a young adult or new adult fantasy author, I promise this technique will work across a variety of works, encompassing all target audiences and genres.
Make a list of:
Key Character Traits (~3 each)
Species or Races
Major Point(s) of Conflict
Key Themes (~3 each)
Major Items or Places
Overall Mood / Atmosphere
Emotions (~3 each)
Decide on your top 3-5 from the above list.
Explore definitions, synonyms and like terms for the choice words. Utilize your favorite search engine for quotations or turns of phrase utilizing these words. Play with them, mix & match, combine them at your leisure. Have fun!
Begin to narrow your list. (This is where your possible titles will form.)
Allow me to demonstrate!
Aurelia, the purple dragon shifter
Seru, the electrifying saint beast
Thalasia*, the blue siren
Major Point(s) of Conflict
The Great War (prior to the book)
The Magical Barrier Collapse
The Guiler Invasion
Prismatic crystals (Violet & Purple)
Saint Beast’s enchanted collar
The Golden Lyre (siren charm)
The Golden Drake (dragon coin)
The white sand beach (the site of the MC’s first encounter)
The bridge (point where Thalasia and guilers cross to Prisma Isle)
The central market (place of gathering for all species on land)
Overall Mood / Atmosphere
Even my initial version–which may sound a tad over simplified–gives us more than enough to work with. I’ve highlighted my choices above. Feel free to circle the ones you like and cross out the ones you don’t particularly care for or get good vibes from. There will be plenty of options, so don’t stress.
Upon analyzing the list, I’ve narrowed it down to a few choices I thought really encompassed the story as a whole. Now, I’m going to do a spot of research using a dictionary, thesaurus, and my preferred search engine.
I’ll note down a few relevant examples of what I compiled below for ease of viewing.
A powerful and protective stone
White sand beach
Again, my list might seem overly simplistic, but I’m well versed in this process, so don’t feel overwhelmed or underwhelmed if your list is a touch longer or shorter. Work with what you have!
Now, you play with the words and their meanings until you find an option, or a few, that you think suit your WIP. This go ‘round, my title jumped out at me as I was creating the list. That may or may not happen for you right away. Don’t get discouraged. You will find your title. Just be patient and continue working.
Once you have a handful of viable options, choose the one that you think works best and gives your story the proper spotlight in which to shine.
As you can see, I chose the title Rebel Tides. I, of course, ran this and a few other options past my co-author, Krys Fenner, since we wrote this new adult fantasy novel together. I recommend you do the same with your titles, whether you have co-authors or just a few trusted writer pals. Obtaining a second or third opinion always helps. (Depending on their knowledge and familiarity of your WIP, it may also be wise to include a detailed summary of your story.)
Easy, right? Or, at least easier than you initially thought.
This tried and true method of creating a title has worked for me for many years. It’s a method I turn to time and time again. I sincerely hope it helps you select your next title for your work-in-progress.
If it does, please, feel free to reach out and tell us about it! I love to hear from my fellow authors within the Writing Community.
A few closing explanations on why I chose Rebel Tides as the title of my new adult fantasy novel.
The initial story was intended to be a young adult novel, detailing the friendship formed between two rebellious heroines: a dragon shifter, Aurelia (my character) and Thalasia (Krys’ character), a siren. The two were set to adventure to a magical academy and discover themselves together in the process, making their share of mischief as they went.
Long story short, the collaboration changed hands–and publishers–before their story could be completed.
In the revived and revamped form, their story shifted from a preteen coming-of-age journey to an action-packed struggle of survival, where the disappearance of a magical barrier cues a series of destructive incidents across the island a majority of the characters call home. Thalasia is initially blamed by my protagonist, Aurelia, who finds herself at odds with the newcomer. My secondary character, the saint beast, Seru decided to cozy up to Thalasia, even if it meant betraying his species in the process.
Krys and I were beside ourselves at these dramatic and sudden changes demanded by our cast. But, we decided to roll with it and see where it went. In the end, Rebel Tides still fit our story–if for entirely different reasons.
Our characters first encounter one another by the beach. As time progresses, it becomes evident they must rebel against the societal norms of Prisma Isle and their species to come together in order to save the island from guiler invaders. You might say, they need to create a shift or change the tides from the way things have always been toward a new way. In Thalasia’s and Seru’s case, they even seek to challenge and change fate itself.
… I appreciate you taking the time to read my first-ever blog post for Dragon Soul Press. I hope you enjoyed reading and partaking in the fun exercise provided. I’ll see you next time.
I am currently studying a Copyediting online course offered by Writers Digest. The course is amazing so far. The course covers the basics of grammar, punctuation, and spelling. The importance of writing in the active rather than the passive voice is also included. The recommended reading books are The Chicago Manual of Style, the Associated Press Style book, and the Merriam-Webster’s Dictionary.
When we write, we may sometimes forget the basic rules of using nouns and verbs instead of adjectives and adverbs. The course has been invaluable in helping me improve my writing. The course also discusses how to work as a copyeditor and how to professionally edit copy. I encourage anyone who wants to greatly improve their writing to take this course or a course like it. You don’t have to study this course just to work as an editor.
I was always scared of the book The Chicago Manual of Style. But now that I must become familiar with the book to succeed in the course, I have learned it’s not so nightmare inducing. I have learned that there is way to more to writing and editing than I ever suspected. For example, the rules on using the serial comma is one I still struggle with. But for anyone who is serious about their writing, this just may be the ticket for you.
The course offers grammar exercises and we practice editing our own writing. We edit a written assignment first on paper with a red pencil then we edit online using track changes. This teaches us how editing is done. If we make mistakes, then we learn from them and build our knowledge.
I recommend a few other good books about editing. Grammatically correct: The Essential Guide to Spelling, Style, Usage, Grammar and Punctuation by Jane Stillman. This book discusses the essential points of spelling, grammar, punctuation, and word usage. There are also exercises for the reader to do at the end of each chapter. It’s a great reference book. It is not a dry read, the author makes it fun and enjoyable.
The final book about editing that I recommend is CopyEditing: A Practical Guide by Karen Judd. This book may be out of date but it is a real gem. This is more like a training guide.
Writers must demonstrate a mastery of the English language. We know we must get our submissions past the editor’s ‘gate’ to get it into the hands of readers. But with the above suggested sources, that will not seem like such a huge task. I encourage everyone to consider studying an online course offered by Writers Digest. Or at the very least, to brush up on spelling, grammar, and punctuation. Your writing will benefit from it.