Finding Your Community

Whether you are a first-time writer just starting out, or a successfully published author with several works under your belt, there is one thing that ever single writer needs: a writing community. Writing can be a very lonely pursuit. However, it’s a journey that we can’t go on alone. We need friends to lean on when we write, ones that understand the complexities of trying to realize the story in your head onto paper. But how do we find our writing community?

Well, if you haven’t already, here are some tips to getting started in your search of a writing circle where you can continue to grow as a writer:

1. Classes: Perhaps one of the best places to find other writers is in a writing class. Specialist writing schools, librarians, and community schools are all great places to start your search for some writing buddies. Plus, there is the added bonus that taking a class or seminar on writing will only help you enhance your writing skills. You can also check out your local bookshop to see if they have any writing-themed events on the horizon as well. 

2. Online writing forums: Perhaps one of the best options for those of us who are either shy or busy, going online can yield some great results. Personally, the NaNoWriMo forums are one of my favorite online forums to interact with other writers. Additionally, Facebook has plenty of writing groups, many of which are specifically dedicated to different genres or topics. All you need to do is go search for your niche. Twitter is another online plethora of everything writing, and there are plenty of wonderful supportive writers that are part of the writing community.

3. Book clubs: Plenty of writers are also avid readers, so it would make sense that if you were to walk into a book club, you’d find at last one other writer amongst the crowd, so joining a book club might be the gateway into finding and forming your own critique group. Even if you happen to be the only writer in the book club, reading and discussing analysis of different books helps to flex your mental muscles – something that can only benefit your own work. 

Either way, don’t despair. Your people are out there and you will find them!

Spooky Inspirations

Here are ideas on how to create a spooky novel!

I recommend the following books such as On Writing by Stephen King, On Writing Horror- the collection of essays by the Horror Writers Association, and Writing the Paranormal Novel- Techniques and Exercises by Steven Harper. These books go into real detail about the paranormal. Within this genre, there is more freedom to create what you want whether that be a sparkly vampire, toothy werewolf, or chain rattling ghost.

After you read these books, highlight the advice, and incorporate the advice into your writing. For a good story about a ghoul of choice to be believed, it must be believable and written well. All stories benefit from good writing. Be consistent about the traits, superpowers, or awesome abilities your monster has. We all know vampires hate garlic and sleep in coffins, but maybe a coffin-shaped bookcase could be their nesting habit during the daytime.

Read widely in your chosen genre. That will let you know what has already been written by other authors.

Buy a new set of highlighters, pens, white out, a binder, paper, and a fresh bag of coffee. Do what it takes to make you commit to the writing for the long haul.

Clean your writing/ office space. Light some sage and clean the energy to allow for the creative energies to flow unimpeded. Light a candle or incense. Play music that inspires you as you create your ghoul or axe-wielding maniac. Create a special playlist and soundtrack. Know your monster! Make it consistent and believable.

Keep a routine when you sit down to work on your story.

Reach into the deepest darkest part of your imagination. Free write a scene of confrontation between your protagonist and your monster. Or the monster is the protagonist? These days your demon or ghoul needs to be ORIGINAL. Everything in the paranormal novel has been done … or has it? That part is up to you. It must be original. If you are seeking more inspiration, read the paper. Clip and keep newspaper articles.
For example, I published a short story about pumpkins that can eat people. The vines can extend themselves and the pumpkins were toothy and bloodthirsty. Talk about a real twist on our favorite squashes!

But by allowing yourself to imagine, you may invent something that no one has done before. That is a huge advantage in the field of writing and publishing. Being original and true to your monster is extremely important. The world wants to read a story that has never been written before. They do not want thirty knockoffs of It or The Babaduk.

I hope you have enjoyed reading this. It might spark an idea or two and you would then be on your way to writing a gothic novel like Northanger Abbey or something like the Pit and the Pendulum by Poe.

Good Luck!

The Good Short Story Tips and Tricks: Hook and Pacing

DSP typically plans and produces six to twelve anthologies a year with a short story word count ranging from 5k to 15k words. Technically, there is no sole right way to write a short story, but there are a lot of wrong ways. However, we’ll focus on a couple of methods used to entice your reader and get them hooked on your story for the next twenty to forty pages.

Let’s assume you know the components for proper characterization, tension, theme, POV, etc. For a good short story, you only need to place heavy emphasis on two aspects of your story; a good hook and your scenes moving at a face pace toward the climax.

The Hook

The hook is the opening line or scene to ensnare your reader. It’s a statement that makes them develop an interest in your story right off the bat. For a short story, you want them vested in your tale from the very beginning because you don’t have a lot of words to develop your character or theme. There are several easy ways to write a hook that will have your reader jump into your story; in media res, mystery, and disturbing.

In medias res means, “in the middle of the action”. Instead of starting out those teenagers having sex by the lake and then getting killed one-by-one by the psychopath in a hockey mask, you start the story with one of them running for his life while being chased by the psychopath. In my story, Malicyne’s Puzzle, the hook took place with a battle between a pirate ship and a naval frigate. Thela’s Angel started with poor Thela getting beaten to a pulp by her husband in the inn. Daughter of Darkness starts the story with the holy knight, Rhain, landing a killing blow through a demon lord’s heart in the temple of night elves dedicated to the worship of the Tri-Headed Queen.

Mystery is a very common mechanism. You start out with a profound statement or an enigma for your story. In my book, Fallen From the Stars, it opens with the following:

“Come with me.”

A gunshot rang out, followed by a woman’s scream and the world turned to utter darkness. That’s all I can remember.

Was the main character shot? What happened? Who said, “Come with me?” Readers don’t find out until Chapter 12 Bad Memories, but in a short story, you reveal the mystery of the hook usually at the climax or at the end.

Disturbing is a less common one but is great for grimdark fantasy, horror, or something in which you’re going for shock value. It makes your reader shout, “WTF did I just read?!?” and then they are compelled to read on just to figure out why you wrote that. The Disturbing method will typically contain triggers (again, for shock value).

A word of warning about using the Disturbing method – know your audience. If you’re a fantasy writer who typically writes YA epic fantasy and you want to try your hand at grimdark fantasy, your loyal fans are in for a rude awakening. Secondly, a lot of publishers have a “no graphic [anything]” rule (or rules on certain triggers in general), so don’t violate submission guidelines by writing something that will make people wonder if you’re sane or turn your editor off to you.

Pacing

After you’ve written your hook, all your scenes following should be paced as if racing toward the climax. You’re not walking or building up to the climax, you’re running to it. A perfect example of how you should pace your story is by watching the promo trailer for Dragon Age: Origins. Here’s the link (Warning: Violence and Blood):

What did you see here if this was a story? An intrepid band of adventurers on a quest in monster-infested mountains filled with ice, snow, and death. There is the brief pause by the main character, a weapon is thrown from the ice and then boom, we are running through the action building up to the climax of the sorceress Morrigan casting a powerful lightning bolt that lays low the dragon. Did you note how fast the action moved and how it flowed from one character to the next? This is how your short story should flow from one scene to the next, and then building up to the climactic battle with the dragon at the end.

Master this and you’ll sweep your reader up for an intense ride with only a few thousand words.

Happy writing!

The Great Debate: FanFic

Fan Fiction. Where do you stand on the big debate? I am personally neutral on the matter, as I see the arguments to both sides, but I’m still curious. How do other writers feel about fan fiction?

By its very definition, fan fiction, or fanfic, is a written genre where canonical elements such as characters, settings, plot lines, or specific scenes from already published works are then used to create new fiction. Given this piggybacking nature of the genre, the whole concept of fanfic has stirred a great debate amongst authors, publishers, and readers as to whether or not fanfic is blatant plagiarism or a form of inspiration on which to build new work? Imitation is the sincerest form of flattery, right?

On one side of the debate, there are those who are absolutely against it. And perhaps one of the biggest arguments against fanfic is that many see it as plagiarism. Most people who argue against allowing fanfic to be a thing, see it a direct rip-off of work that has already been published. There are plenty of authors, such as George R. R. Martin, who greatly despise fanfic. And I’m sure we can all see that argument, why write about someone else’s characters when you can just create your own? 

Another argument against fanfic is that it’s all just sexualized trash based off different ships. For anyone who may have forayed into a fandom to check out some fanfic, you know what I’m talking about. If you were to google Harry Potterfanfic right now, I guarantee you that 90% of it will be Harry getting it on with Ron, Harry and Hermione, Draco and Hermione, or Harry and Draco. Either way, a lot of fanfic does seem to go the way of the ships – whether they make sense or not (Adam Taurus and Blake Belladonna anyone?).

But there is a counter argument in favor of fanfic. Mostly, some people see it as a stepping stone to other, more authentic works of fiction. The best example of this in our modern day is 50 Shades of Grey. What started off as Twilightfanfic ended up taking on a life of its own. And regardless of how you feel about the series, there is no denying the massive success it experienced once the characters morphed into Christian Grey and Anastasia Steele.

With that in mind, there are plenty of fanfic writers who would argue that its simply an exercise in aspiring writers to practice their development of original writing. Writers all have to start somewhere, so by using fanfic as a sort of memetic exercise, one could argue that fanfic writing allows aspiring writers the chance to better understand how to construct a work of fiction, by essentially rearranging a favorite work of theirs. This time of response shows fanfic in a more approachable light as it establishes writing not as the focus of a perfect, finished product, but rather as a process. 

So, with that in mind, the great debate continues. What do you guys as both writers and readers think? Are you in favor of fanfic? Are you against it? Or are you like me and pretty neutral on the whole thing? 

Starting Out Writing Sci-Fi

Given recent world events that we are living through, we may start to feel a little bit like we’re living through an episode of “Black Mirror” or something akin to science fiction. Some of us writers may even be finding ourselves tempted to foray into the genre of sci-fi just based off the fact that we have so much inspiration around us with the current pandemic that is going on. So, if you’re feeling the call of inspiration and want to try your hand at writing either a sci-fi short story, novella, or novel, below are the five elements that make up the genre of science fiction:

1. World Building

Ok, first things first. World-building is a big portion of sci-fi. Very similar to fantasy, people who read sci-fi are ready and willing to accept the impossible as possible – provided there is a plausible explanation for everything. In order to do this, you need to really build your world and make it authentic and believable. Don’t worry about using elements that have already been done – such as flying cars – just be sure to put your own spin on something that is already familiar in order to keep it fresh.

2. Unfamiliarity

Sci-fi tends to take us into a territory of unfamiliarity. It takes parts of our own world that are familiar to us – we’ll use the flying cars example again – and twists it around to make it unfamiliar and new to readers. Of course, this is where world-building really plays a major role in bringing everything to life because in sci-fi, the setting is very much integrated into the plot of the story. Furthermore, the setting also affects the action of the story as well as the characters’ lives.

3. Plausible Foundation

Believability is key when creating your world. It’s sci-fi, it’s based in science, therefore your world has to make sense. You can’t introduce futuristic technology without plausible scientific explanations for how it works. For example, you can’t write a story where humans colonize Jupiter and walk around the planet without spacesuits because it wouldn’t be believable – your audience would know that’s not possible. Of course, if you have explained that over thousands of years of terraforming, humans managed to change the atmosphere of Jupiter enough that they could get away with walking around sans spacesuits, then you have a much better story forming. Of course, in order to plausibly explain everything in your sci-fi story, you’ll probably have to conduct a bit of research. Additionally, you’ll probably also want to create a timeline of events in order to keep track of everything that happened in order to be able to avoid plot hole popping up in your story because let’s be real…setting a story 1,000 years in the future is going to have a lot of history happen in between that explain why and how things are the way they are in the present point of your story. Therefore, creating a timeline for yourself will very much help keep things linear. Of course, you don’t have to add in all 1,000 years worth of history to your story (you’re not writing a pretend history book) just the bits that make sense to add because they explain certain technologies or elements in your story.

4. Scientific Principles

Sci-fi isn’t really a genre that leaves much wiggle room for breaking laws and rules, more like gently bending them. If you do bend them, you need to be able to back it up with a plausible scientific explanation to explain it. For example, you can’t break the rule of gravity on Earth. However, you can bend the rule that Mars in uninhabitable to humans. What you need to remember when writing your story is to adhere to the scientific laws of physics and chemistry in order to ensure that the world you create can be plausibly explained in theory.

5. Character’s Reactions

Just like when you write any story, you want to do more showing, rather than telling. Of course, when you have a story that is set in another world, it’s hard to stay away from the tendency to want to explain everything. But a great way to show what is going on in your world rather than tell your audience about it, is to use your characters. Your characters using a teleportation device as easily as they would an elevator is a great way to show that teleporting has been around for a while, rather than telling your readers that it’s been a thing for years. Using a character’s reaction is good for gauging what’s old technology in your world and what’s new without explaining things to your audience. It’s a story you’re writing, not a history book.