5 Tips to Renew the Joy of Writing

Sometimes, writing can feel more like a job or a burden, especially when the creativity won’t flow. Here are some tips to get in the zone to meet those writing goals.

Dabble in Something New

Write from the Point of View of a different character. Stretch your limits and try a new genre. Swap a romantic relationship to a spiteful one and see where it takes you. Do your ‘good guys’ always win? Let the ‘bad guys’ have this one. Create a “what if” alternate ending to a current project. More often than not, these will alleviate any writers’ block you may be experiencing as new ideas bloom.

Change of Scenery

Stir the pot and change your surroundings. If you normally write at home, try relocating to a coffee shop, library, or somewhere with people milling around in the background. You’ll get in some “people watching,” which provides natural inspiration for characters. 

Writing Mashup

What if robots went on a rampage in Victorian England? What if a human wants to be where the mermaids are? Let the creativity flow by using an online generator to give random combinations to write about. Making this a daily habit seems to successfully help many authors stay in the writing flow.

Free Write

Sometimes you just need to get words on paper to feel productive. Set a timer and write whatever thoughts flit into your mind until the end. It can be about what you did today, how you feel about your current work in progress, what you hope to achieve, random bits of dialogue between characters, etc. There doesn’t need to be any rhyme or reason to it nor does the grammar need to be perfect.

Reward System

Is everything going well with your writing, but you’re feeling a bit underappreciated? Set up a reward system for yourself. Say your writing goal for the day is 2,000 words and you’ll get to eat a cookie if you meet it. If you finish your goal for the week, you go to the movies. Be as creative and personalized as you want with choosing rewards.

To Prologue or Not to Prologue?

As with many of the topics we have already discussed, the decision of having a prologue or not is entirely up to you. Whether it is necessary for your story or not is sometimes another matter entirely. Let’s look at the definition of prologue before we continue.

Prologue (Noun): a separate introductory section of a literary or musical work.

There you have it. A prologue is an introduction to the story.

So, if your story begins in the middle of action or events set into motion by a previous incident (especially if it is years prior), you definitely should provide a prologue. The equivalent of this is running up and hugging someone without an introduction. You’ll either get shoved away or punched in the face, normally. In terms of your story, this is the reader putting the book down and moving along. They lose interest as soon as confusion sets in. To avoid that confusion altogether, you can have a brief introduction before the reader gets immersed into the story.

For a sequel. I believe all sequels should have a mandatory prologue in the beginning to recap the main events of the previous book. The reason for this is because I’m one of those people to go buy a bunch of books, get them home, and realize I have the second book in a series. Sure, I could spend time hunting down the first book while letting the second book collect dust. Or I can read the prologue provided, have a good idea of what’s happening, and thoroughly enjoy the book I selected regardless.

In these situations, just like in customer service, the reader is always right because they are who you want to read this product. You have to tailor it to their expectations, to a certain extent. Which brings up another topic we will discuss at a later date.

Personally when writing, I always include a prologue and an epilogue to my novels because it allows me to show how much time has passed between books, important events that occurred, and gives the reader clarity about what to expect and what is to come. I wouldn’t recommend prologues for shorter stories because it can appear to be a little silly.

Once again, the decision is entirely up to you. Whether you decide to prologue or not to prologue, get back to writing.

How Many Characters Are Too Many?

You’ve started writing your book. When writing our stories, we can sometimes get carried away with ourselves. We overcompensate in some areas and completely skimp over others. This is something that can be fixed with lots of practice and constructive criticism.

You have the main character set in your mind, you’ve added in their cohorts, you have a set enemy and their cohorts. Before you know it, you end up having too many people to keep track of. If you look closely, most of them are either hollow shells or the exact replica of another character. These are the characters you need to remove from the story altogether. If they are absolutely necessary, make them a fleetingly passing nobody character and move on without them.

Here are some things to look at when deciding whether you need the character or not.

  1. Do they have a personality? Are they around enough for their personality to shine out to the readers through their actions? Or do you find yourself calling them “noble, vindictive, or cruel” in the text?
  2. Are they the one who always magically comes to save the day for the other characters, but then continues their way out of the story?
  3. Are they truly necessary? Do they have a purpose besides coming in for a one-liner or lurking around a group of important characters?

These are just a few ways to tell if you have too many characters lingering around. If they don’t accelerate the story, your supporting cast doesn’t need them. If you can delete them without feeling like you’re cutting off an arm, you don’t need them. Point blank. Don’t fool yourself into thinking they’ll be extremely important in one more scene in Book Four when Book One isn’t even finished. Trust me, the reader will forget they ever even existed by the time that character appears again.

For those who came to this article perhaps looking for an exact number to abide by like a bible, there is no perfect number of characters to have within your cast. There is no precise limit either. As long as you only keep in the characters necessary to write the story, you’ll not only have an easier time writing it, but your readers will have a better time reading it as well.

Do not restrict yourself or your characters on the fairytale ideals of the perfect amount of characters to have in a story. Sit down at the keyboard and just write.

Do I Need Chapter Titles?

When you first open a book, you more often than naught find a Chapter List shoved in between the pages before the first official page. The list of chapter names gives you an idea of what is going to happen within the book. Some people prefer this; some people believe it isn’t necessary since the summary on the rear cover should sell it. It honestly depends on what the author wants to do. Here are some of the pros and cons to help you decide for yourself.

Pros

  1. Your reader has an idea of what to expect for the book.
  2. Your book looks organized and professional on first glance.
  3. Some readers memorize the last place they’ve read by chapter number or chapter name. By listing it in the front of the book, the user can skim through the list to find the exact page number with ease.
  4. It’s normally expected. For book clubs, it makes it easier to keep track of where everyone’s progress should be after a certain amount of time. They will not thumb through a book to guesstimate this information for themselves.

Cons

  1. You thought naming the book itself was difficult. Now you have to name each and every chapter without giving away the entire story!
  2. Your reader knows too much about what happens in the book.
  3. You have yet another extra page between the cover and the first official page for the reader to begin the book. Being an extra page, it gets overlooked by some of the average readers who just want to begin reading.
  4. Extra pages also add extra costs to your book overall.

If these aren’t enough to convince you to sway either way, here is another brief article on the topic. Let me know your opinions in the comments!

Author Interview with Austin Worley

Dragon Soul Press sat down to interview Austin Worley, an author in the Murder and Mayhem and Organic Ink: Volume 5 anthologies.


1. What inspired you to start writing? 

My biggest inspiration to start writing was my 12th Grade Creative Writing teacher, Ms. Sullivan. Before her class, I had never really considered writing professionally. Her encouragement and confidence in my work ultimately led me to take the plunge. And here I am now: a published author and poet.

2. How do you handle writer’s block?

My first method for avoiding writer’s block is to plot out everything before I begin writing, because I find the only time writer’s block is a problem is if I don’t already know where I’m headed or how to get there. When it does set in despite my best efforts, I just push through the block as best as possible. Either the block will subside, or I’ll eventually finish, because even a paragraph or two every day is progress.

3. What comes first, the plot or characters?

For me, it varies wildly. Sometimes a unique idea for a character suddenly takes shape. This was the case with The Silver Shrike. I loved the idea of a superhero who wanted to prove to the world—and himself, deep down—that he was nothing like his villainous family. Other times, a very loose plot would grab my imagination. “An Oath to the Sun” in Murder & Mayhem was inspired by a little research into methanol poisoning, which made for a great murder mystery.

4. What would you say is your most interesting writing quirk?

Oh, this is a tough one. Personal quirks are so difficult to identify yourself. If I had to choose, I’d say the gender imbalance of my protagonists across my entire body of work is my most interesting writing quirk. Most of my stories published and unpublished have female leads. Part of this is because of recurring characters—roughly two-thirds of my published works star either Arlise Dun or Topsannah Price—but even if you only go by unique protagonists, there’s a definite slant towards women. I don’t know why. Lots of male writers find it difficult to write female characters, but that’s never been an issue for me.

5. What does success mean to you? What is the definition of success?

To me, success means my work ends up in front of readers. Earning a living purely from writing might be my pie-the-sky dream, but readers enjoying my stories is enough success for me.

6. On a typical day, how much time do you spend writing?

Between three and five hours in front of the keyboard is pretty typical, but I spend a lot more time working on writing-related stuff in my head.

7. Do you find it more challenging to write the first book in a series or to write the subsequent novels? 

Series are tough because the deeper into them you go, the more limited you are by what came before. First stories or novels are always easier because you have so much freedom, especially in terms of character and setting.

8. What advice would you give a new writer, someone just starting out? 

Persist. There are going to be times where you doubt your writing is any god. Times when you want to give up on a story or even writing in general, especially once the rejections start piling up. But if you throw in the towel, you’ll never achieve your goals. Persistence is the only pathway to success, whatever success looks like to you.

9. Are you working on anything at the present you would like to share with your readers about? 

Right now, I’m preparing for two novels. The first is a novelization of my second-chance superhero romance novelette “Law, Love, and the Whippoorwill”. I feel like expanding this story into a novel will allow me to better develop the characters and their reconciliation. My other project is a military sci-fi romance influenced by Honor Harrington and the work of Linnea Sinclair. Most of the subgenre is centered on marines or space fighter pilots, so I’d like to bring more of a naval focus to the table. Once the pre-writing is finished, I’ll dive into writing whichever one fires my imagination more.

10. Where can readers learn more about you?

You can find out more about me and my work on my website, Twitter, Facebook, Goodreads, DeviantArt, and Wattpad.