Invisible Words: Dialogue Tags and Why You Don’t Need Them (Much)

You’ve probably heard this piece of advice before, “Don’t use descriptive dialogue tags. Use only said and ask.” And that’s good advice. It makes a lot of sense because it is really jarring to read something like this:

John quipped, “I know, let’s go to the movies!”

Sarah gasped, “But we’re not allowed. It’s against God’s law!”

“We never get to have any fun,” John grumbled.

“We could just go over to those bushes and have sex,” whispered Sarah.

John paused. He exclaimed, “Sure!”

Yeah, that’s terrible. So, how are we supposed to do it? Like this:

John said, “I know, let’s go to the movies!”

Sarah said, “But we’re not allowed. It’s against God’s law!”

“We never get to have any fun,” John said.

“We could just go over to those bushes and have sex,” said Sarah.

John paused. He said, “Sure!”

The reason why the second sample was better than the first is that the words said (and ask if used) are invisible to the reader, and it shifted the emotion in the dialogue for the reader to figure. However, sometimes this can be jarring. Why? Because examine all those times I used the names John and Sarah. If I keep writing, John, John, John, Sarah, Sarah, Sarah, guess what your brain is likely to tune out or keep stumbling over?

And that’s what this post is all about–provide you another tip on style by omitting said and ask as much as possible. Let’s redo the example.

John snapped his fingers. “I know, let’s go to the movies!”

Sarah lifted a hand to her mouth. “But we’re not allowed. It’s against God’s law!”

“We never get to have any fun.”

“We could just go over to those bushes and have sex.”

“Sure!”

In the last example, I’ve picked up the pacing on this and used a little body language to instead of a dialogue tag. Second, I eliminated the dialogue tags in the last three lines.

So how does this help you? Here’s how this stylistic approach can improve your writing.

It strengthens your showing, not telling. What did you think of when John snapped his fingers and then said, “I know, let’s go to the movies!”? He hit upon an idea is what most of you will say, but some of you will have a different opinion, and that’s fine.

Since our brains are trained to ignore the words said and ask, just get rid of them anyways. Use them sparingly, but for the most part, you don’t need them. Warning: you don’t want to get yourself into “talking-bubble-head-syndrome”. You do need to show who is talking. Here is an example:

Samdel patted his rider’s coat, lifted out the lapel, retrieving a cigar. “What were you saying, girl?”

“I hate it when you smoke those thrice-damn things around me!”

“Huh. A demon said that to me once.”

You know right off that Samdel is the first person who started this part of the conversation with the narrator telling he’s fishing out a cigar. Then, we know whomever he’s talking to responds, and then he says something back.

Now, when does this not work really well? When you have three or more people involved in conversation. Still, you can eliminate a great deal of said and ask by utilizing your prose to indicate actions from all your characters, but if you need to move rather quickly, you’re better served by using said and ask to ensure your reader doesn’t get confused or lost in the conversation. Another problem some writers have created when using this method is “floating heads” or “talking-bubble-head-syndrome”, and I covered that topic in an earlier post.

In short, here’s a tip on honing in a stylistic choice to remove mundane words and help your prose with more showing than telling.

Happy writing!

Interview with Author Sofi Laporte

Dragon Soul Press sat down with Author Sofi Laporte for an interview.


What gives you inspiration for your books?

I write across genres, but mainly YA, paranormal and romance. My stories usually have “a sprinkle of magic”, a touch of magic realism. I basically collect story ideas from every day-life, from the mundane, and sprinkle some magic on top.

What inspired Loreley, my story in Sea of Secrets Anthology, was a childhood memory. Specifically: the German song Loreley that my grandmother used to sing to me on her mandoline. When I thought about what to write for this anthology, the melody suddenly came to me. I actually heard the music. I knew then that I had to write about the Loreley legend.

Chestnut Woman was inspired by a real person, a neighbor in Vienna. She had a gossipy nature, a strident voice and knew everything about everyone. It was unbelievable what she knew. What if, it occurred to me, underneath this garish façade she is someone entirely different? Maybe someone magical? This is how Mrs Schmidt was born.

To sum up, what inspires me: music, real people, places I’ve lived and visited, childhood memories. Somehow it all magically comes together to form a story. This is why I love writing!

Of all the characters you have created, which is your favorite and why?

Arthrapax. The precocious cat who is in reality a dragon. And not just any dragon: Morgana’s side-kick, her pet dragon! He’s modeled on my own cat, who has the same sassiness.  Arthrapax is a side character in Chestnut Woman in Sea of Secrets Anthology, but he really deserves his own book.

What is the biggest surprise that you experienced after becoming a writer?

All this marketing! I never thought I’d have to take a crash course on marketing just because I wanted to write stories and share them with other people.

Any website or resources that have been helpful to you as a writer?

So many! 10 minute novelist Facebook group: https://www.facebook.com/groups/10MinNovelists/, 365 writing challenge group which is a sub-group of 10 minute novelists and which taught me to put butt-in-chair and write every day: https://www.facebook.com/groups/365writingchallenge/; Helping writers become authors blog and books by K.M Weiland: https://www.helpingwritersbecomeauthors.com. Special shout-out to Inkslinger’s Den, a Facebook group by Brenda Littau with the best how-to videos on everything a writer needs to know:  https://www.facebook.com/groups/INKSLINGERSDEN/. My favorite books: Bird by Bird by Anne Lamott and The Artist’s Way by Julia Cameron. I also read a ton in my genres; mainly YA, romance and paranormal.

Have you thought about joining with another author to write a book?

Yes, it sounds like fun! I might like to try that one day. Some of my favorite books were co-authored, like Holly Black and Cassandra Clare’s Magisterium series; or the Beautiful Creatures series by Kami Garcia and Margaret Stohl.

But first I would like to focus on my own books.

What do you think about the ebook revolution?

I’m pro-technology so I support that. I mean, who doesn’t enjoy this: click and voilà, there’s your book! Instant gratification! In my “other” life I work as a librarian and a teacher, so I speak from experience that e-readers help dyslexic children with their reading comprehension. Also reluctant readers can be enticed to reading via e-reading programs. There are some truly great reading programs and Apps out there. Additionally, ebooks are a blessing for elderly people, because they can enlarge the font with a click. I know some people prefer ebooks over paperbacks because the printed font is simply too small. Yet we need not fear that traditional books will become extinct because of ebooks. A few days ago there was an article in our local newspaper saying that the printed book has “outlived its own death” – referring to the ebook revolution and the fear that, as a consequence, paperbacks will become obsolete. They won’t. Independent bookshops are on the rise again. As for myself, when it comes down to choosing between reading an e-book or paperback: it really depends on how impatient I am to read the book. If I have to wait a long time for the book to arrive, I will just read the e-book. Otherwise I usually prefer the paperback over the ebook. I do love paper, the touch and smell of it. And I adore bookshops! I have wonderful memories of standing in line early in the morning at a bookshop in Västerlanggatan in Stockholm to get my hands on the newest Harry Potter book. You don’t get to have those wonderful memories with the instant gratification of e-books.

Have you written any other books that are not published?

Ahem. There might be a whole drawer full of manuscripts somewhere …

What tactics do you have when writing?

I do both, really, though I lean toward pantsing. I outline only to discover that my characters have totally different ideas, and suddenly I find myself happily pantsing away. When I start out pantsing a story, however, I inevitably get stuck sooner or later, and then I need to retrace my story and outline. Too detailed an outline doesn’t work for me, however. I find that restrictive.

What is the toughest criticism given to you as an author?

“This is boring” – at school, response by a classmate. Ouch. The positive side of this experience is that it now motivates me to learn the craft of good writing: it made me aware that we tell stories to our readers, not only to ourselves. And readers want to be entertained, gripped and drawn into the story. Learning to write like this is what I am currently obsessing about.

Where can we find you online? 

Please visit me at my website www.sofilaporte.com where I blog about reading, writing and exploring castle ruins (my particular hobby) – with a sprinkle of magic! Also on Instagram and Twitter.

Demystifying Plotting Part 2 of 2

In the last post, I discuss how plotting is not as hard as it sounds so long as you don’t make it as hard. The whole point of it is to just jot down ideas and points of each part of the story. Don’t worry about cohesion, theme, or twists. Just write down each piece and then move on.

In this lengthy post, we’ll run through an example.

I write down my overall plot: A knight journeys across the lands to slay the dragon who has kidnapped the princess.

See? Already, you know how this story starts in the beginning and the end. At the beginning, the dragon comes, lays the smack down on the castle, snatches Princess Peach, and then absconds with her. The king sends the knight to go kill it and get his daughter back. At the ending, we know the knight is fighting the dragon, kills it, and takes Princess Peach back home to live happily ever after. But what’s in the middle? Umm … well, he journeys there, and that’s what we need to figure out. Second, let’s back up a little bit. Is there anything we can do to set the story up before the dragon attacks? For example, does the dragon have to be the be-all, end-all of villains?

Yes, we can!

Let’s have a dragon goddess unleash a terrible dragon upon the mortals. She does this because at one time, the lesser races worshipped her and the dragons. She desires those Ye Olde Tymes to return. Also, it comes at a moment when humanity, along with the other races are ready to war with one another.

Chapter 1. The Dragon Goddess summons the Black Dragon. Commands her most powerful minion to kidnap the princess.

Chapter 2. The King argues with the Elven and Dwarven delegates about a potential treaty. The delegates angrily deride the King. They leave. The reader knows war is coming as already skirmishes have been fought.

Chapter 3. The Outlying Fortress that is guarding the Wastelands is destroyed by a flock of dragons. The Black Dragon flies toward the kingdom.

Chapter 4. The dragon attacks the castle, captures Princess Peach, kills the Queen trying to save her daughter.

Chapter 5. The Aftermath. The king mourns his wife, and summons the most fabled knight of all the lands to kill the dragon.

Chapter 6, 7, 8, 9 …. uhh …. stuff …

Chapter 25. The knight fights the dragon before the Gate to the Dragon Goddess’ realm is opened.

Chapter 26. The mortal races are united, treaties are signed, and the knight and the princess get married.

Okay, now we have an epic fantasy on our hands. Already, we have five chapters at the beginning and he haven’t introduced our hero yet! Some blogs will say that’s not a good idea. Right now, we don’t care. What we care about is just getting all twenty-six chapter ideas out. The fine-tuning comes later. The plot twists come later.

What do we do next? Well, we need to introduce the knight in the next chapter.

Chapter 6. The knight is at a tavern, drunk, mourning his dead wife and youngest child of six years from an orc raid while he was off seeking treasure. He argues with his surviving son, who leaves him to join the war against the elves and dwarves.

Chapter 7. A servant summons the knight to the king’s castle. The knight tells him to eff off. Dragonkin, along with other monsters, attack the village and end up killing his son and most of the village before being driven back by the knight’s awesome fighting skills. The knight resolves to fight.

Now, the knight has entered the arena and our story is shaping up. We know he has to go to the castle, get his quest from the king, then journey to the Dragon’s land for the final battle. We think about it a little more and realize the knight needs resources in order to fight. Let’s pull out all the stops—magic, people, treasure, everything. The knight needs it all and he needs allies in order to do it! Let’s start with an expression, “Sometimes, politics makes strange bedfellows.” So, we’re focusing on the knight building an army to fight the dragon.

Chapter 8. The knight receives his commission at the castle. He travels north into monster-infested lands and meets with the cabal of wizards. They will aid the knight on condition on getting the dragon parts solely for their research. He agrees.

Chapter 9. The Dragon Goddess comes to the elves, promises them they will be favored servants. They agree, but some in the Council do not like the idea. The Goddess goes to the dwarves, they rebuff her.

Chapter 10. The dragons attack en masse on the dwarven holds. They are wiped out, but the dragons are spent.

Chapter 11. The knight travels to the barbarian lands of the Bear People. They love battle and one bear is worth ten human men. However, they live in squalor in lands fouled by magic. The knight negotiates a deal for the Bear People to migrate south to better arable land. They armor up and march.

Chapter 12. The Dragon Goddess delivers an ultimatum to the King and the rest of humanity. Bow on bended knee or be wiped out starting with the princess. The king refuses. It’s on.

Chapter 13. The knight, Bear People, and wizards encounter their first major battle against the elves. The elves are defeated, but the knight is severely wounded and may not live.

Chapter 14. Some of the elves throw in their lot with the knight in exchange for assistance to usurp the existing Council. The knight agrees.

Chapter 15. The knight and his army is repelled by the dragonkin and some guardian dragons.

Chapter 16. The knight quests to find an ancient sword and shield to bolster the power of his army.

Chapter 17. The knight slays the lich guarding the powerful artifacts, but is betrayed by the wizards. He is rescued some Bear People and elves.

Chapter 18. The Dragon Goddess appears before the knight and offers a deal with him. Serve her and she will make him a king. He refuses.

Chapter 19. Battle at the Dragon Border Part 2. The knight wins.

Chapter 20. The elves begin to fight among themselves. A civil war erupts. Despite this, they start overrunning the human kingdom.

Chapter 21. The remnants of the dwarves come to the humanity’s defense. The elves are finally defeated and driven back.

Chapter 22. The surviving members of the wizards come to the Dragon Goddess’ defense and begin preparations to open the Gate to allow the goddess to come to the realm. If she does, nothing can oppose her as she will be a living god.

Chapter 23. The knight is captured and tortured. His closest friends come and rescue him.

Chapter 24. The knight and his army meets the dragons and dragonkin at the Great Castle. The Great Castle falls, and the knight storms his way to the deep dungeons below to fight the Black Dragon.

Chapter 25. The knight fights the Black Dragon before the Gate to the Dragon Goddess’ realm is opened.

Chapter 26. The mortal races are united, treaties are signed, and the knight and the princess get married.

Epilogue: Several years later. The princess is in labor and gives birth to a dragon. The goddess’ plans are complete.

So, does any of this seem rushed? Of course. It’s a rough outline, but guess what? You now have the middle. Could any of this be more developed? Yes, definitely! Once you start getting into the chronology and pacing of the book, you’re going to find out that you’ll need to bring in more chapters, more subarcs, or maybe make cuts to the outline (like introducing the wizards is too much).

After that, you can think about twists and shoring up any story themes; however, you don’t have to do any of that, because with this outline now, you can actually start writing and let those components reveal themselves.

In conclusion, you now know how to plot without having to go crazy.

Happy writing!

Author Interview with Melinda Kucsera

Dragon Soul Press had the privilege of sitting down to interview Author Melinda Kucsera.


How long have you been writing?

Melinda has been writing fantastic short stories, novels, and books when not being kidnapped by dragons or chased by armies of fictional creatures. (Her characters do, on occasion, rescue her.) She leaves the running of her newsletter to the cast of lovable characters who hog her inbox AND handle all her interviews for her. ❤

Enough about Melinda, it’s us you’re really interested in, her cast of characters! 🙂 Join us every week for a new story by visiting: www.mkucsera.com/welcomecharacters

When Melinda is left alone, she writes mostly about a young man (Sarn) and his adorable son (Ran) who might be one of the characters responding to this interview. They adventure together through a fantastic world full of enchanted people and things and take on all kinds of monsters and mayhem. It’s all in a day’s work when you live steps away from an enchanted forest.

Oh, and, we have a special portal in our cave that connects to your world and gives us exclusive access to our scribe whenever we feel an adventure coming on. You can grab the first four books of the Curse Breaker series here: https://www.books2read.com/b/bP516z

Join us on an adventure now. 

What inspires you?

Well, since I and my fellow cast members are real people living in a real, though, fantastic world, we are Melinda’s inspiration. This is Ran, son of Sarn, the Curse Breaker in the Curse Breaker books.

Anyway, where was I? Oh yes, I was explaining our reality to you. 😊

Since we only exist when you read us, getting more page time is essential. It’s literally a matter of life and death for us. So, we must make sure our Scribe, Melinda, is continuously inspired.

That’s why there’s a line outside her door full of prospective characters, and each has a story to tell. We must bar the doors, or she’d never get any books done. There are that many stories breaking down her door.

Good thing there’s this handy portal in her apartment. When the queue gets too rambunctious and threatens to break down her door, we spirit her away to our world. Then all Melinda needs to do is write down our adventures as we live them.

Through some alchemical process, books are created from our running amok in fantasy land. You’ll have to ask our Melinda about that process because we have nothing to do with it. Our job is to get that all-important page time, and we’re really good at that.

Who are some of your favorite authors that you feel were influential in your work?

Woah there, hold up a minute. Other people aren’t allowed to influence our Scribe. Melinda’s apartment is a no-influence zone. Seriously. We don’t allow anyone to mess with her process. Somehow, she can see what goes on in our world even when we don’t kidnap her. Chronicling that mayhem doesn’t require any influence except occasionally from us when she does silly things like try to outline our adventures.

No one’s life has ever followed a script exactly, and neither do ours. We do what we’re going to do and trust her to capture it in words. Isn’t that the coolest thing ever?

The cast of her books certainly thinks so, but we might be a tad biased. There’s a book coming out soon that illustrates just how Melinda can see our world, and how characters like me can cross over to your world. It’ll be called Curse Breaker’s Companion: Catch the Scribe (because that’s what we’ll be doing in that book). 

One last thing before I move off this topic. I might have borrowed Melinda’s computer to type up this interview. Don’t tell her about that, okay? She gets upset if we drop in when she’s not home.  

What do you like to read in your free time?

Our Scribe buys the deal of the day on audible most days, so her taste in books ranges wildly from fantasy to science fiction to physics books to lectures on all manner of topics to mysteries, thrillers, true crime and so on. She’ll basically listen to anything that’s not a bodice-ripping romance or a horror story.

I might be a child in a fictional story, but I often borrow her cellphone to keep in touch with readers through Melinda’s social media accounts. So, she doesn’t listen to anything that’s overtly sexual, very scary, or too violent in case I accidentally overhear it. She particularly likes mysteries, hard sci-fi especially when the hard sci-fi is blended with military fiction, and police procedurals. She cannot read enough of those last two.

What projects are you working on at the present?

Melinda’s working on a new series that’s really close to her heart. It’s a mother-daughter fantasy series called Robin of Larkspur. It begins with Hunter’s Night, part of the Rogue Skies: A Limited Edition Science Fiction and Fantasy Boxed Set. Grab it now while it’s on preorder for a buck: https://www.books2read.com/rogueskies then get ready for Rogue Night, the explosive sequel.

Details about Rogue Night can be found here: https://melindakucsera.com/rogue-night/ It will publish around the same time as Hunter’s Night/Rogue Skies, so you won’t have to wait like our editor and our beta readers to find out what happens next. 

Both books feature me as an adorable baby. In Hunter’s Night, I get kidnapped and need a rescue, but Papa needs help to take me back from my supernatural kidnappers. Too bad they also nabbed Robin’s baby because she’s one formidable lady. She and Papa team up in Rogue Night to get me and her daughter back. So do check those books out. 

As of right now, Melinda’s still editing it and dithering about sending it in. It’s darker than what she usually writes, so she’s doing the insecure author thing. Don’t worry. I’ll submit it for her if she procrastinates too long.

I think it’s a great story and she already has the next two episodes planned out, one for each of the next two Dragon Soul Press Anthologies, Lost Love and Reign of Queens

What impact have they had on your writing?

That’s a great question. Hunter’s Night/Rogue Skies and Sealed in Blood had a profound impact actually. Since they had iron-clad word limits, our intrepid Scribe had to learn how to pause our shenanigans.

We did not enjoy being paused. I just have to get that off my chest. It made me all itchy, but it was for a good cause.

Adventures tend to lead to other adventures, which is great for real life but not so great in a book that has an iron-clad word limit. But adventures in real life don’t have limits on length.

So it took our scribe, Melinda, some time and trials to learn how to stop us from haring off on another adventure long enough to end one the book and start another. Of course, we’ve been learning from her too. Just because a book has an end doesn’t mean it’s THE END.

We can always sneak in new scenes and get more page time during the editing rounds because Melinda always leaves a few thousand words in reserve. The cast might be sharpening this skill as we speak. Just don’t tell Melinda. She hasn’t caught on yet.  

Why did you choose to write in your particular field or genre? (If you write more than one, how do you balance them?)

Melinda didn’t really choose to write fantasy. We chose her to be our Scribe. 😊 We really do kidnap her, and armies of fantastic creatures really do show up at her home and office to demand a story. Usually, a chase ensues because there are a lot of them and only one Melinda, and sometimes, her job requires her to do work that has nothing to do with writing fantasy books.

But our Scribe also needs her exercise to stay fit, right? We ensure she puts plenty of mileage on her much-abused sneakers every day. 😊

So given all of that, what’s a scribe to do but jot down the stories that fall into her lap and publish them? Then everyone wins especially us, her characters. Remember, we only exist when you read us, so getting that all-important page time is a matter of life and death.

What is the hardest part of writing?

Controlling our Newsletter-Dragon. No, I’m serious. Our newsletter subscribers are her horde, and she’s unbelievably demanding when it comes to newsletter stuff. She eats up so much of our Scribe’s time that could be devoted to chronicling our adventures.

The worst part is that we’re stuck in limbo every time the Newsletter-Dragon misbehaves, and she’s been cozying up to the eBook-Dragons that deliver our eBooks to stores!

I know. I see it too. A confrontation is coming between us, Melinda’s characters, and that damned dragon. It draws nearer with every episode of our newsletter. Watch our newsletter for it because that’s where it will play out, and this time, it’ll be a war between us.

You can sign up here to get our weekly adventures in your inbox: http://www.mkucsera.com/welcomecharacters Our dragon will horde your email address. No one will ever lay their hands on it. Not even us, its stars.

Where can readers learn more about you?

 Our website, of course: https://melindakucsera.com/

Check out all our books here: https://melindakucsera.com/the-curse-breaker-saga/

We also have past episodes of our newsletter adventures arranged chronologically here: https://melindakucsera.com/blog/ but our newsletter goes back to 2016. So, fans of it (and its stars) convinced our Scribe to novelize the earliest episodes, so readers don’t have to try to find them.

Since our website is digital and so is our dragon, she regularly messes with it. Those older episodes are there, but they’re not easy to find. Our Scribe has written about 4-5 novel-length adventures for us that took place exclusively in our newsletter over the years.

So, they’re coming to eBook in 2020. No more searching for them. They’ll publish as part of a companion series under the aptly titled, Curse Breaker’s Companion.  Take that you, dragon! Problem solved. 😊

We’re also on social media, but the best way to follow us is to subscribe to our weekly adventures: http://www.mkucsera.com/welcomecharacters

And that’s a wrap. This is Ran, son of Sarn, writing on behalf of the cast and our Scribe, Melinda, signing off. Have a great day!

Some Advice: Reputation is Everything

Normally, writing blogs are just about that; most are tips and tricks on how to write better such as eliminating filler, catching redundancies, use Active Voice, etc. Others are more about the business side of writing such as marketing, self-promotion, mailing lists, etc.

In this post, I want to discuss something very near and dear to my heart, but something I see time and time again new authors throw away and that is their professionalism which affects their reputation. For people who know me as Christianmichael Dutton who writes under the pen name Hui Lang (Chinese for Gray Wolf), they know I am one and the same. I take my brand, my persona, and my interactions with everyone seriously. Everything I write here, either a blog post for Dragon Soul Press, a short story for my Red Hoods Page, or a fanfic doodle on my personal FB page, I give 110%. I am a known plotter and I typically plot out a story five or more times before deciding on how I will write the story. Then I get feedback on my work if time permits after I’ve gone through several cycles of self-editing.

Let’s start with a foundational rule:

If you’re an author who wants compensation for their work, you need to treat this as a serious business.

Let’s talk about some things that shows a lack of professionalism and how you can mitigate irreparable harm to your reputation. These things are doubly important when you’re an indie author because you have full control over your writings and publishing.  

You publish a work that isn’t edited or poorly edited. You know why it’s so hard to find a lit agent or a publisher willing to accept your story? This. This is the reason why the big trad houses have an intern whose job it is to simply read the first three pages of every work just to weed out people who cannot follow directions or send in poorly edited works. I frequently download samples of many indie authors’ books. I can’t get past the first chapter on so many of them because it comes across as if English was their second language with the help of Google Translate.

You chose a terrible cover. “Don’t judge a book by its cover,” applies to people, but not to books. If you work with a trad pub house and they slap a cover that looks like stock art drawn by an eight-year-old or you grab a cute image from Pixabay because it’s royalty free, nothing screams out, “AMATUER!” than an amateurish cover. When I see that, I think your writing matches and I don’t even bother to download the sample. If you cannot afford a great graphics artist, then go with a trad publisher who puts out great covers on their books. Check out Dragon Soul Press’ covers and see for yourself the high quality they use. Some are amazingly gorgeous (Shadows of the Fallen, I’m looking at you).

Your writing is lazy. You use Passive Voice. You used tropes and clichés that the big trad pubishers don’t want, so now your book isn’t marketable unless you self-publish. You use a ton of adverbs. You switch POVs more times than spinning on the Mad Tea Party ride at Disneyland. The rule of “Your first million words is crap,” isn’t just some made-up mantra by self-righteous authors of a bygone era. I wrote my first book when I was fourteen. It was crap. My second book was also crap. By the time I had written my third book, I already had written well-over a million words from all the campaign and adventure writing for the table-top role-playing games Dungeons and Dragons and Pathfinder. My third book still sucked. When I finished my fifth book, Fallen From the Stars, it finally looked like something I might be able to market, but it took me over a 1.5 million words to get there. If you want to fast track your learning experience, then get feedback. Serious feedback that doesn’t hold back on where you’re weak.

You don’t leverage social media effectively. As an author, you post cute cat memes, send … ahh … naughty pics to other people, launch a vitriolic diatribe against Flat-Earthers, but support anti-vaxxers, and so on. You swear like a sailor on your media pages, but you write cute furry YA stories. It’s perfectly fine to post whatever you want to post. No one should judge you for that unless you’re harassing people or being an all-around jerk, but keep it separate. Your author page should have your million loyal fans who see you as the awesome writer, and only your close friends and family get to see your cursing sailor, hedonistic anti-vaxxer jaded personality on your personal page.

This advice may come across a bit harsh, but again, review the foundational rule. Treat being an author as a serious business, forge great relationships with other authors and fans, and people will reciprocate.

Happy writing!