Writing Multiple POVs

Writing a story means deciding what point of view to take. Personally, I prefer singular points of view. It’s easy to keep track of everything that is going on. But at the same time, it can be a little limiting if you want to bring in certain reveals or plot twists, etc. Because of this, there sometimes can be benefits to having two or more points of view for the narration of your story. But keep in mind, you shouldn’t bring in different points of view just for the sake of having multiple voices. There should always be a reason. 

And below, are several tips for writing multiple POVs:

Each POV should add to the story: Your readers should care about the characters that they’re reading. Therefore, if you’re going to use different POVs, each character should serve a purpose. Not only should they help propel the story forward, but they should all be strong, interesting voices that your reader wants to root for.

Understand the story before you write different POVs: Whether you have one POV or more, understanding the story you’re trying to tell is the key to success. While you can kind of get away with figuring it out as you go along while writing from only one perspective, you can’t do this with multiple POVs. It will be entirely evident that you have no idea what is going on in the story. That is why you should know the plot inside and out before attempting to write different POVs. 

Separate your chapters: Don’t put multiple voices into one chapter – you will only confuse your reader. But more importantly, giving each of your character’s their own gives your reader a chance to properly bond with them and get to know them. Plus, it’s another way to add tension to your story because you can do things like leave one of your characters in a cliff-hanger of a situation, while moving on to another chapter – a great way to keep your reader guessing and wanting to continue reading.

Each POV should have a distinct voice: There is nothing worse than reading a book that is supposed to be multiple POVs and it reads all the same. Not only is that confusing for the reader, but it’s boring as well! Developing distinct character voices isn’t just about their dialogue or actions, it’s also about coming up with their internal thoughts and motivations. In fact, their internal thoughts and motivations can be quite powerful in creating a deep sense of who the character is. And once you’ve created your character’s voice, stay true to it. 

Be selective of which character is the narrator: Don’t just throw in several narrators just for the sake of having two or more voices. Much like my first point, each narrator should add to the progression of the story. What I like doing is look at the chapter or scene that I’m writing and then decide which character has the most at stake, what am I trying to convey story-wise, and which character’s perspective would make the most impact. Based off these questions, you can come up with the appropriate narrator. 

How do you handle multiple POVs? Do you like writing multiple POVs or do you prefer only one? Let us know!

2 thoughts on “Writing Multiple POVs

  1. Pingback: Writing Multiple POVs | By D. L. Lewellyn

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