Why You Shouldn’t Withdraw Your Submission Early #1

After being in the business for so long, one ends up seeing multiple dreams being squashed or coming true. One of the worst things is getting in your own way and causing everything to crash and burn. This has occurred many times and as such, has warranted this article.

Many publishers have the option of manuscript and anthology submissions. When someone submits to both outlets and one gets rejected, the automatic response is to withdraw all submissions from that publisher. This is the wrong way to do things. Just because one thing was rejected does not mean everything will be.

There are so many possibilities as to why it was refused. Some of the most common reasons is it needed more editing or that story didn’t fit in that particular anthology. No matter the reason, none is cause to withdraw all of your submissions. More often than not, the publisher is planning on accepting one even though another was rejected.

The reason many authors are not successful with traditional publishing is because they don’t follow submission guidelines and once refused, they automatically give up. “Self-publishing is such an easier way to go” has been a saying going around writing communities. It may be easier, but you will never have the same opportunities that traditional publishing gives. And so, the story that was rejected due to poor editing is uploaded for self-publishing without further improvement and gets nowhere with sales.

The worst of all is that, more often than not, the author never continues improving their writing. Critique is the most important way to continue honing your writing skills. If you think you’re already the best and have nothing further to improve, then you’re already in the wrong mindset.

To be continued in a later blog post called
Why You Still Need an Editor After Multiple Books

Finding Your Community

Whether you are a first-time writer just starting out, or a successfully published author with several works under your belt, there is one thing that ever single writer needs: a writing community. Writing can be a very lonely pursuit. However, it’s a journey that we can’t go on alone. We need friends to lean on when we write, ones that understand the complexities of trying to realize the story in your head onto paper. But how do we find our writing community?

Well, if you haven’t already, here are some tips to getting started in your search of a writing circle where you can continue to grow as a writer:

1. Classes: Perhaps one of the best places to find other writers is in a writing class. Specialist writing schools, librarians, and community schools are all great places to start your search for some writing buddies. Plus, there is the added bonus that taking a class or seminar on writing will only help you enhance your writing skills. You can also check out your local bookshop to see if they have any writing-themed events on the horizon as well. 

2. Online writing forums: Perhaps one of the best options for those of us who are either shy or busy, going online can yield some great results. Personally, the NaNoWriMo forums are one of my favorite online forums to interact with other writers. Additionally, Facebook has plenty of writing groups, many of which are specifically dedicated to different genres or topics. All you need to do is go search for your niche. Twitter is another online plethora of everything writing, and there are plenty of wonderful supportive writers that are part of the writing community.

3. Book clubs: Plenty of writers are also avid readers, so it would make sense that if you were to walk into a book club, you’d find at last one other writer amongst the crowd, so joining a book club might be the gateway into finding and forming your own critique group. Even if you happen to be the only writer in the book club, reading and discussing analysis of different books helps to flex your mental muscles – something that can only benefit your own work. 

Either way, don’t despair. Your people are out there and you will find them!

Spooky Inspirations

Here are ideas on how to create a spooky novel!

I recommend the following books such as On Writing by Stephen King, On Writing Horror- the collection of essays by the Horror Writers Association, and Writing the Paranormal Novel- Techniques and Exercises by Steven Harper. These books go into real detail about the paranormal. Within this genre, there is more freedom to create what you want whether that be a sparkly vampire, toothy werewolf, or chain rattling ghost.

After you read these books, highlight the advice, and incorporate the advice into your writing. For a good story about a ghoul of choice to be believed, it must be believable and written well. All stories benefit from good writing. Be consistent about the traits, superpowers, or awesome abilities your monster has. We all know vampires hate garlic and sleep in coffins, but maybe a coffin-shaped bookcase could be their nesting habit during the daytime.

Read widely in your chosen genre. That will let you know what has already been written by other authors.

Buy a new set of highlighters, pens, white out, a binder, paper, and a fresh bag of coffee. Do what it takes to make you commit to the writing for the long haul.

Clean your writing/ office space. Light some sage and clean the energy to allow for the creative energies to flow unimpeded. Light a candle or incense. Play music that inspires you as you create your ghoul or axe-wielding maniac. Create a special playlist and soundtrack. Know your monster! Make it consistent and believable.

Keep a routine when you sit down to work on your story.

Reach into the deepest darkest part of your imagination. Free write a scene of confrontation between your protagonist and your monster. Or the monster is the protagonist? These days your demon or ghoul needs to be ORIGINAL. Everything in the paranormal novel has been done … or has it? That part is up to you. It must be original. If you are seeking more inspiration, read the paper. Clip and keep newspaper articles.
For example, I published a short story about pumpkins that can eat people. The vines can extend themselves and the pumpkins were toothy and bloodthirsty. Talk about a real twist on our favorite squashes!

But by allowing yourself to imagine, you may invent something that no one has done before. That is a huge advantage in the field of writing and publishing. Being original and true to your monster is extremely important. The world wants to read a story that has never been written before. They do not want thirty knockoffs of It or The Babaduk.

I hope you have enjoyed reading this. It might spark an idea or two and you would then be on your way to writing a gothic novel like Northanger Abbey or something like the Pit and the Pendulum by Poe.

Good Luck!

Nip the Naysayers

It is hard enough being a writer, sending your writing out only to receive rejection letters. But what about those around you who are critical of your passion for a career that pays little, but calls to your soul? I get criticism too. Often people tell me they see it as a hobby. It is not a hobby to me. It is my life. They don’t see it that way no matter what I tell them. I want to share some tips on how to ignore them, keep writing, and maintain your sanity.

A rejection letter is harsh. When your aunt or employment counselor chides you for not becoming a lawyer or an executive, it’s even harder. They make you grind your teeth at night and develop headaches because you feel like quitting writing just so they would be quiet. Well, take heart.

Writing, like the arts, doesn’t get much love from those who don’t see it the way we would like them too. From their perspective, it’s a dalliance, a hobby–or worse–a waste of time. To those of us who are serious, getting published in magazines or books is life or death. We love seeing our byline in a publication and are bit by the itch to get the next byline or the next publishing contract. We perfect our query letters and synopses to the best of our ability.

If you do sense you are under attack, perhaps telling people you are busy writing and closing the door to your writing studio will do the trick. Be assertive, but not overly upset and they should get the hint. We can’t change them. It is a sad fact of life, but we can change the way we respond to them. It’s not fair, but life is not fair.

Another great way to get naysayers off your back? I can think of two. One, you put honest effort in… and you are, right? Two, they see you succeeding at it. Then they will look forward to seeing your next published book or that article in the magazine you were dreaming of seeing yourself published in.

Never take the chiding or ridicule seriously. Maybe they are secretly jealous of you, seeing you reading your draft of your writing project, looking like you are not spending your time more responsibly and wishing they had the time to do what you are doing. It’s them, not you. Treat this the way you would if you got a rejection letter. File it away and keep writing. Keep writing because you are not writing for them; you are writing for you, the editors, your readers.

That’s what matters. Own it and be responsible for it. Getting angry is giving them another reason to harass you for not following your heart and work instead on an oil rig- -anything that makes “actual money!” See it from their perspective. If you follow all these suggestions, you may persuade them to see yours. They may even offer help or suggestions.

Good luck!

 

Writing a Fight Scene

Let’s face it. Writing can sometimes be a struggle for us all. But the one thing that is perhaps the most difficult to write are fight scenes. They’re high-stakes, and very intense confrontations between characters, so if done wrong, they will end up reading very, very badly.

When we think of fight scenes, we probably envision them similarly to how they are in movies – fast-paced and engaging moments that leave the audience thinking “wow.” Of course, watching a fight scene in a movie is so much more different to writing one, as a film allows the audience to take on a passive role as everything they need to know is visually being handed to them. As a writer, your job is to help the reader take on an active role in reading, by giving them written cues to help them visualize it in their minds’ eye. Obviously, this is much harder to do than visually feeding it to your audience.

If you’ve been writing a story that includes a fight scene, or scenes, and you’re finding yourself struggling, then here are a couple tips that I’ve discovered about writing fight scenes through trial and error:

Tip #1: The fight scene(s) should always move the story forward

In general, writing any scene should be as a means of moving the story forward. However, this is particularly true for a fight scene. Don’t include a fight scene into your story – even if it’s really well-written – just to put it in there. The easiest way to tell if your story is propelled by your fight scene? Delete the fight. If your story reads fine without the fight and it still makes sense, then your fight scene doesn’t move the story forward and you did well to delete it. Now if the fight was some kind of transition or if the story feels like its missing a key element, then your fight is integral to moving your story forward and you can paste it back in. 

Tip #2: Fights are meant to improve or add to characterization

If fight scenes are only focused on the brute force and physicality of the action, then they can become a bit boring to read. What a fight scene needs to do is also provide a portal through which to explore your characters and gain more insight into them. Some of the things to think about when writing your characters’ fight is:

Why does the character choose to fight?

How does this choice reinforce who they are as a character?

How does this fight affect both their drive towards accomplishing their internal/external goals as a character?

Is this fight getting them closer to accomplishing their task or further away from accomplishing their task?

What are the stakes for the characters who are fighting? In other words, what do they each stand to gain or lose depending on the fight’s outcome?

What kind of a fighter is your character? Not all characters can or will have the highly trained hand-to-hand combat skills of a Navy SEAL in a fight, so what physical or mental abilities do they possess in a fight? What mistakes are they prone to making in a fight? Are they a hot-head or a master strategist? Basically, their fighting skills, or lack there of, can give your reader a glimpse into their characterization. 

Tip #3: Fight scenes shouldn’t be slowing down the overall pacing of your story

In movies and other visual media, fight scenes happen rather quickly. However, in literature, they can drag on – especially if they’re not written well. And that can interrupt the flow of your story.  The reason why fight scenes can often make the flow of your story seem slow and heavy, is because the writer has to write out all the details that the reader needs to be able to visualize the scene in their head. Therefore, you can keep the following in mind in order to create as tight of a fight scene as possible, so as not to bore your readers:

Use shorter sentences since they are easiest to read and help to keep up the speed of your story.

Mix in dialogue with the action. You don’t want to have just a huge block of text detailing out what is happening. By breaking it up with dialogue you not only are cutting down the long descriptions of what is happening, but you’re also adding to the action through verbal exchanges. Don’t underestimate the power of dialogue when building a scene.

Don’t focus too much on introspection. While the inner workings of a character’s mind often helps to flesh out your character within the realm of the story, a fight scene isn’t necessarily the time or place to focus on what they’re thinking. A character’s introspection will happen before the fight and after – not during.

Keep it short. Unless you’re discussing an epic battle of Tolkien proportions, then a fight shouldn’t go on for pages. If it’s a fight between individuals, keep it short.

Tip #4: Don’t forget about the four other senses

When writing a fight scene, don’t just focus on the sight portion of what your character is seeing. One of the best ways to engage your readers while describing a fight scene is to hit them with all the other senses like hearing, touch, taste, and smell. Using all five senses together can really elevate your writing. It’s a good rule of thumb to keep in mind for writing in general. While sight might be the easiest and most obvious way of describing things, don’t discount the power of the other senses.

Tip #5: Edit

Perhaps the best fight scene you could have written is the one that was thoroughly edited. Again, another tip for writing in general, but it really does help when it comes to writing a fight scene. You won’t get the fight scene right the first time, so you just need to keep editing it until it gets there. Some things to keep in mind when editing a fight scene are:

Don’t give your reader a blow-by-blow description. Once you have your initial draft, when you’re going through editing be sure you delete all the non-essential details that will only weigh it down.

Forget the flowery language. Keep it short and neat and delete the extra words you don’t need. They will only drag the pacing down.

Consolidation is key. Besides the language, make sure that your characters are consolidated as well. Too many characters in one fight scene can just get confusing for the reader. And confusion leads to frustration which leads to the story being put down. Don’t let that happen to you.

Happy writing everyone!